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“... too much canary wine, and the warts and blemishes which more malicious caricaturists like Thomas Dekker dwell on: ‘a face full of pockey-holes and pimples ... a most ungodly face, like a rotten russet apple when ’tis bruised’. You can confirm that, as Aubrey noted, he had one eye bigger and lower than the other. And you can guess at what was by then ...”

“... There remains a most decided difference – indeed it grows wider every year – between what Philip Larkin calls ‘being a writer’, or ‘being a poet’, and managing to write something which will delight or amaze people without their having to respond to it in the context of poets and writers. Religion and other activities used to concentrate an audience by figuring in a non-literary context, and Blake or Emily Dickinson used religion, as they used the context of childhood responses, to appeal directly to an audience over the head, as it were, of literature ...”

“... has analogies with another new theatrical fashion: the ‘humours comedy’ of the mid 1590s – George Chapman’s An Humorous Days Mirth (1597) and Jonson’s Every Man in His Humour (1598) are well-known examples – and the slicker, smuttier ‘city comedies’ of Thomas Middleton, Thomas Dekker, John Marston et ...”

“... Jacobean marriage law and female desire, are nourishing to the spirit. Livy, Machiavelli, Ford, Dekker, Heywood and Jonson all figure in the book, but the main recurring subject is Shakespeare. It is, moreover, good to see the publication of this book marked by an accompanying Festschrift – a volume of essays on comedy by friends and colleagues of ...”

“... 1613 with burying her baby in the backyard of the house. Another name to mention here is that of George Wilkins, hack author and brothel-keeper: he too was a St Giles character until he shifted operations to Clerkenwell in about 1610. Wilkins frequently appeared before the Middlesex magistrates, sometimes on charges of gross violence against the prostitutes ...”

“... has a history involving dozens of paintings, stretching back to the early 18th century, when George Vertue identified the so-called Chandos portrait as an image of Shakespeare painted by a friend and fellow actor, John Taylor. Donated to the National Portrait Gallery in 1856, the Chandos is the only candidate to have been granted much credence, but new ...”

“... whatever the subsequent reports of her deathbed piety and preparedness. The playwright Thomas Dekker described the news of her death as landing ‘like a thunderclap’ among her stunned subjects, who ‘never understood what that strange outlandish word Change signified’.Having ‘studied the Tudors for decades’, Doran tells us that she decided to ...”

“... spelling, the one he used in his only extant signature – was born in the parish of St George, Canterbury, in February 1564. He was the son of John Marlowe, shoemaker, and Katherine née Arthur, a Dover woman. They had nine children, though only five survived childhood. Christopher was the eldest son, and after the death of his sister Mary in ...”

“... deciding to read some drama, he raced through Aeschylus, Beaumont and Fletcher, Chapman, Chekhov, Dekker, Dryden, Ford, Heywood, Jonson, Marston, Massinger, Middleton, Marlowe, O’Neill, Sophocles, Strindberg and Webster; in March he went on to Coleridge, Chaucer, Fielding and Petronius, and then had a go at Proust, Mann, Boswell and David Hume. He took a ...”