On Richard Hamilton
Hal Foster, 6 October 2011
“... In My Marilyn (1965) Hamilton adapted, in painting, part of a contact sheet from a photo shoot by George Barris that included her own editorial indications as to which images to cut and what pose to permit – in short, how to look, to appear, to be. In the rough grid of the painting a cluster of four images appears twice, with slightly different ... ”