Supersellers
John Sutherland, 8 November 1979
“... in the public mind. Most people will by now know that this autumn the British blockbusters are Forsyth’s The Devil’s Alternative (its distinctive symbol is a neon-red star), Stephen Sheppard’s The Four Hundred (its distinctive symbol is a gold sovereign) and Harry Patterson’s To Catch a King (this title and its distinctive symbol are still to burst ... ”