‘Gwendolen Harleth’
F.R. Leavis, 21 January 1982
“... George Eliot called her last novel Daniel Deronda, so that to separate part of it off for publication* under another title than her own might seem to be challenging the judgment, the deliberate and emphatic intention, of the author herself in the most questionable way. But there are two George Eliots, and they both – neither, it seems, embarrassed by consciousness of the duality – play dominating roles in the massive book: they dominate it together as if they were one ... ”