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“... Octavio Paz occupies a unique position in the Spanish-speaking world. He is the foremost living poet of the language as well as being one of the most authoritative interpreters of the Hispanic situation, a pensador in the tradition of Unamuno, Ortega y Gasset, Rodo and Mariategui. Poetry, however, has always been the vital source of his ideas. His work as cultural historian, political essayist and editor of Vuelta, the most influential journal in Latin America today, is rooted in his belief that the poetic conscience must be brought to bear on the central issues of contemporary history ...”

“... Congress’ and first published in 1971, although it had been on his mind for many years. Edwin Williamson, in his biography of Borges, writes about the parallels between the story and El Caudillo. Borges sought in his story, according to Williamson, not only to mirror the novel his father wrote ‘but also to ...”

“... Jorge​ Luis Borges’s visit to the Home of Golf in 1971 is still remembered. Edwin Williamson devotes a page of his 2004 biography to the event, calling attention to Borges’s wish to recite Scottish Border ballads while in St Andrews, and to stand alone beside the North Sea. Not long before, the 71-year-old Borges had published a story called ‘The Congress’ which, as well as mentioning ‘Caledonians’, features several of his obsessions, including vast libraries, Don Quixote and lost love ...”

“... to Terence Cave’s Recognitions and Leo Spitzer’s study of harmony (she might have added Edwin Honig’s Dark Conceit, an exploration of allegory) – topics of far greater salience and weight. For as she is keenly aware, her subject, like folklore, elicits mainly boredom, condescension and a general wariness. A riddle comes in the form of a snap ...”

“... from each new position gained. ‘What do I write to say? I don’t know,’ he complained to Edwin Morgan in an undated letter (probably from the early 1950s). ‘The kind of poem I want to write is very far away from even TNF’ – ‘The Nightfishing’ – ‘I know more about poetry than I’ve ever done before. Maybe that is what is wrong but I ...”