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“... The prologue​ of Limonov places Emmanuel Carrère in Moscow, circa 2006, at a commemoration ceremony outside the Dubrovka Theatre, where in 2002 the Nord-Ost hostage crisis ended when the Russian military pumped Fentanyl gas into the theatre, indiscriminately killing well over a hundred hostages along with their Chechen captors ...”

“... Designed in a similar format to Memoirs of an Anti-Semite and produced by the same publisher, Edward Limonov’s It’s me, Eddie provokes an immediate comparison. For Gregor von Rezzori, exile is primordial; culture slips inevitably away from a mythic original unity, and history deepens the irony of cultural division. For ...”