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“... pieces, including some that have been unavailable in standard editions of the collected poetry, Donald Reiman and Neil Fraistat’s meticulously edited volume brings out the aims Shelley had for his verse, and the effects he sought, which remained surprisingly uniform.* Largely derivative in form and content, the poems divulge almost nothing of ...”

“... I delight in a palpable imaginable visitable past – in the nearer distances and the clearer mysteries, the marks and signs of a world we may reach over to as by making a long arm we grasp an object at the other end of our own table ... We are divided of course between liking to feel the past strange and liking to feel it familiar.’ Thus Henry James in the Preface to The Aspern Papers, the germ of which was the story of an American Shelley-worshipper seeking out the eighty-year old Claire Clairmont to trick or wheedle her into handing over precious documents illuminating her youthful relations with Shelley and Byron ...”

“... edition of Shelley’s complete poetry, edited by Crook. The first three volumes, edited by Donald Reiman, Neil Fraistat, Crook and others, appeared in 2000, 2005 and 2012. As Crook explains, Reiman died in 2019 ‘after a long illness that had caused him to retire from his editorial role’. The publication ...”

“... the age. Though the novel is named after her, and though Bragg (following a scholarly article by Donald Reiman) expatiates on her significance as a Romantic symbol, Mary is not the principal character here. The opening scene prepares us for the theatricality of what is to come. Hatfield is shown walking across the sands of Morecambe Bay at low tide, in ...”