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At the Guggenheim

Hal Foster: David Smith, 9 March 2006

... David Smith is often seen as the Jackson Pollock of modern sculpture, the artist who transformed European innovations (in welded steel above all) into an American idiom of expanded scale and expressive power. Like most legends in art history, this isn’t false, despite the immediate catch that his greatest follower, Anthony Caro, is English ...

Cheeky

J.I.M. Stewart, 23 October 1986

H.G. Wells: Desperately Mortal 
by David Smith.
Yale, 634 pp., £18.50, September 1986, 0 300 03672 8
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... of what’s past, present, or to come: insensible of mortality, and desperately mortal’. David Smith finds most of this description eminently applicable to H.G. Wells (whom he intensely admires) and he adopts its final two words as a subtitle for his biography. What sense Shakespeare attached to them is doubtful. Johnson suggests ‘likely to ...

Real Things

Barbara Wootton, 5 April 1984

McNee’s Law: The Memoirs of Sir David McNee 
by David McNee.
Collins, 256 pp., £9.95, November 1983, 0 00 217007 8
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Police and People in London. Vol. I: A Survey of Londoners 
by David Smith.
Policy Studies Institute, 386 pp., £7.40, November 1983, 0 85374 223 5
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Police and People in London. Vol. II: A Group of Young Black People 
by Stephen Small.
Policy Studies Institute, 192 pp., £4.60, November 1983, 0 85374 224 3
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Police and People in London. Vol. III: A Survey of Police Officers 
by David Smith.
Policy Studies Institute, 216 pp., £6.20, November 1983, 0 85374 225 1
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Police and People in London. Vol. IV: The Police in Action 
by David Smith and Jeremy Gray.
Policy Studies Institute, 368 pp., £7.40, November 1983, 9780853742265
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... Fifty-eight years ago the man we now know as Sir David McNee was born in dire poverty in a Glasgow tenement. His father was a railwayman, and a staunch tradeunionist who rose ‘through a variety of jobs’ to be driver of many famous trains, including the ‘Royal Scot’. His mother was the daughter of a railwayman ...

State of the Art

John Lanchester, 1 June 1989

Manchester United: The Betrayal of a Legend 
by Michael Crick and David Smith.
Pelham, 246 pp., £14.95, May 1989, 0 7207 1783 3
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Football in its Place: An Environmental Psychology of Football Grounds 
by David Canter, Miriam Comber and David Uzzell.
Routledge, 173 pp., £10.95, May 1989, 0 415 01240 6
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... racial degeneration. Luckily the hearties don’t have it all their own way. Michael Crick’s and David Smith’s book describes how, at the same time as Stan Cullis was assembling his Wolves team, Matt Busby at Manchester United was embarking on a managerial career uniquely committed to attractive attacking football. The triumph’n tragedy saga of ...

The Last Column

Hal Foster: Remnants of 9/11, 8 September 2011

... size.) In this same semi-sacral register, there are also beams with little crosses and stars of David cut out by metalworkers for families and friends of the dead. Most evocative of the fallen buildings are the fragments of the 360-foot antenna that once stood on top of the north tower, and most telling of the heroic response are the battered vehicles of ...

At Tate Modern

Peter Campbell: Louise Bourgeois, 29 November 2007

... ran a tapestry-repair company. The cannibal daughter worked there too. No account of the sculptor David Smith fails to notice his time as a welder on a production line; Bourgeois’s stitching should be thought of in the same way. A skill already learned, waiting to give a flavour of unusual competence to quite different constructions. When, in Seven in ...

To hell with the lyrics

Peter Campbell, 25 March 1993

The Collected Writings of Robert Motherwell 
edited by Stephanie Terenzio.
Oxford, 325 pp., £35, April 1993, 0 19 507700 8
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... something much deeper and blacker, that we all respected’. In an obituary of the sculptor David Smith he describes the good times they had and adds: ‘we both knew damned well the black abyss in each of us that the sun and the daughters’ skin and the bounty and the drink could alleviate but not begin to fill, a certain kind, I suppose of ...

On Ming Smith

Adam Shatz, 2 March 2023

... When​ you first look at this photograph by Ming Smith, it’s not clear what it is you’re seeing. In the left background is a figure – black pants and white sneakers – drowning in light; the face is invisible, gender indeterminate. To the right, closer to the viewer, is another figure, also of indeterminate gender, also bathed in white light, performing an acrobatic movement, perhaps a dance ...

At the Pinault Collection

Anne Wagner: Charles Ray, 21 July 2022

... steel make such concerted use of the brilliant light effects inherent in its surface. Only David Smith has pursued them as diligently as Ray. The two men share a commitment to contingency as well as a medium: not just steel (itself an alloy of iron), but stainless steel in particular, another alloy, first produced in the early 20th century by ...

Peine forte et dure

Hazel V. Carby: Punishment by Pressing, 30 July 2020

... brutality. In 2010 two of its officers, Timothy Gorman and Timothy Callahan, tackled 28-year-old David Smith, who was experiencing a mental health crisis, at the downtown YMCA. They pinned him on his stomach and applied ‘prone restraint’: Gorman kneeled on Smith’s upper back for nearly four minutes, causing his ...

Northern Lights

Rosalind Mitchison, 19 April 1984

Literature and Gentility in Scotland 
by David Daiches.
Edinburgh, 114 pp., £6.50, June 1982, 9780852244388
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New Perspectives on the Politics and Culture of Early Modern Scotland 
edited by John Dwyer, Roger Mason and Alexander Murdoch.
John Donald, 340 pp., £15, August 1982, 0 85976 066 9
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Adam Smith 
by R.H. Campbell and A.S. Skinner.
Croom Helm, 231 pp., £12.95, June 1982, 9780709907299
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Sister Peg 
edited by David Raynor.
Cambridge, 127 pp., £15.50, June 1981, 0 521 24299 1
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Boswell: The Applause of the Jury 1782-1785 
edited by Irma Lustig and Frederick Pottle.
Heinemann, 419 pp., £15, July 1982, 0 434 43945 2
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Muir of Huntershill 
by Christina Bewley.
Oxford, 212 pp., £8.50, May 1981, 0 19 211768 8
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... English English came naturally to Boswell, less naturally but effectively in the sentences of Adam Smith and David Hume, but at the cost of the reservation of the Scottish tongue for casual, domestic or low-life use. Yet, as Daiches reminds us, with an exceptionally happy choice of quotations, the literary endeavours of the ...
The Idea of Poverty: England in the Early Industrial Age 
by Gertrude Himmelfarb.
Faber, 595 pp., £20, March 1984, 0 571 13177 8
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... is to trace the late 18th-century shift from moral to political economy. On her reading, Adam Smith appears under the first rather than the second of these banners: The Wealth of Nations was as much about the poor as about the rich; although a proponent of laissez-faire, Smith favoured state education and the retention ...

Hanging Offence

David Sylvester, 21 October 1993

... of Josef Albers shows bias. The exclusion of Mark di Suvero means the omission of the one artist (David Smith is something else) who has created a sculptural equivalent of Abstract Expressionism, the movement which forms the nucleus of the exhibition. The exclusion of Chuck Close, accompanied by the inclusion of three large works by Jonathan ...

Teeter-Totters

Jeremy Harding: Teeter-Tottering on the Border, 20 April 2017

Borderwall as Architecture: A Manifesto for the US-Mexico Boundary 
by Ronald Rael.
California, 184 pp., £24.95, May 2017, 978 0 520 28394 7
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... and his list of transgressive breachings, include the propulsion in 2005 of a human cannonball, David Smith Sr, from Tijuana, Mexico over the wall and into a safety net in San Diego, California, an open-air circus act that shot him maybe sixty metres. Smith’s stunt was not an immigration offence: he’d obtained ...

Fat Bastard

David Runciman: Shane Warne, 15 August 2019

No Spin 
by Shane Warne.
Ebury, 411 pp., £9.99, June 2019, 978 1 78503 785 6
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... When​ the Australian cricketers Steve Smith, David Warner and Cameron Bancroft were exposed tampering with the ball during last year’s test series in South Africa there was, along with all the faux outrage, some genuine incredulity. Why did they take such an insane risk? The subterfuge was so cack-handed – rubbing the ball with lurid yellow sandpaper, perfectly suited to be picked up by the TV cameras – and the potential rewards so slight that they seemed to be putting their careers on the line for next to nothing ...

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