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“... be made use of in ways that are contextually effective, and surprisingly original. That is what David Piper contrived to do in a brilliant one-off war novel, Trial by Battle. It describes the experiences of a young officer, the reverse of professional, during the 1941 Malayan campaign between the British-Indian Army and the Japanese: the campaign which ...”

“... perceptively as Steen Eiler Rasmussen, who saw it in 1937 as The Unique City. More recently, both David Piper in his Companion Guide (1964) and Christopher Hibbert in Biography of a City (1969) have written with elegance and comprehension, the first closer to the form of the traditional guidebook, the second to the style of the popular historian. Yet ...”

“... That was in 1963, his ‘annus mirabilis’, and the next year saw another breakthrough when David Piper became director of the Portrait Gallery and allowed Strong free rein. He now had ‘a super job’, as he confided to a friend: ‘new publications … theatre designers let loose in the rooms … super sound guide’. Sound guides were then a ...”

“... that the revolution at the Portrait Gallery had already begun under Strong’s predecessor, David Piper (who went on to become director of the Fitzwilliam and later the Ashmolean Museums). Piper had, after all, sponsored Strong’s first ‘theatrical’ exhibition, ‘The Winter Queen’, while he was still a ...”

“... life are tellingly invoked. Then there is an amazingly learned search for the sources of David’s Oath of the Horatii. The trail leads through Gluck, Garrick, the ballet-master Noverre, Lavoisier, Beaumarchais and (less of a displaced person now, than when Wind was writing in 1941) Salieri. It is nard to imagine a reader with any developed interest ...”

“... even married her Antony a good few times. The early stages of European portraiture began, the late David Piper suggested in his 1992 study, The English Face, with tomb-effigies in the 12th century. Neither beauty nor individuality were the point of these monuments in death to rank, wealth and piety. None of these portraits in stone looks like anyone I ...”

“... At the start​ of the war, John Piper – who had made his name as an avatar of high abstraction in the mode of Braque and Mondrian, his paintings hanging among the Giacomettis and Calders in the seminal 1936 show Abstract and Concrete – was struggling to get by. His pictures weren’t really selling, and he was living on the £3 10s a week he still got from his mother ...”

“... satin and Egyptian beads, and was painted by Augustus John in silks that don’t look too dusty. David Piper called it ‘the only existing humane portrait of a Lady Don’ and Harrison was pleased, thinking she looked ‘like a distinguished prize-fighter who has had a vision and collapsed under it’. Wade’s account of her life is in tune with the ...”

“... among them a monumental biography of her colleague and confidante Martha Graham. Dance to the Piper was her first in 1951 and told the story, as she put it, ‘of an American dancer, a spoiled egocentric wealthy girl, who learned with difficulty to become a worker, to set and meet standards, to brace a Victorian sensibility to contemporary ...”

“... to fillet felines these days.’ Some of us followed Doom because we thought we were too cool for David Blaine. Doom’s tricks were breath control, intricate rhyme schemes, a beating heart beneath the cold veneer, of which he gave us only occasional glimpses. Now you see it, now you don’t.In his six solo studio albums, numerous collaborations and ...”

“... Victor Pasmore – there were more eccentric talents of various sizes, like Stanley Spencer and David Jones, who were very English (or very Welsh) and not international at all. In drawings of wrapped sculpture in landscape and moonstruck megaliths Moore and Paul Nash gave even Surrealism an English edge. You could find evidence of deep-rooted native ...”

“... and his hippie I-Chingery, but some of the grittier elements from the first Pink Floyd album, The Piper at the Gates of Dawn, were inadvertently recycled. You could listen to Roger Waters’s wild, largely instrumental ‘Take up Thy Stethoscope and Walk’ and believe you were more than halfway down the 1970s and through the turnstiles of punk, even though ...”

“... infant Théo. Everything impeccable. Driven back after tea to boulevard Voltaire. Acquired bottle Piper-Heidsieck for later. Tuesday 1 January: SpentRéveillon with Jean-Claude, Annick and friend. Clive James on BBC1 after midnight. Next day, Brasserie lunch in place du Châtelet. Taxi to Musée d’Orsay. Like many other furious people, found it closed ...”

“... debatable. It’s a shocking story, with one of the victims having been battered almost to death. David Cameron is quick to move in and claim the crime is evidence of ‘a broken society’, conveniently ignoring the fact that Edlington, the village in question, is smack in the middle of what was a mining community, a society systematically broken by Mrs ...”

“... wealth as backing. Assume you were an insurance company which had insured an oil rig (say, the Piper Alpha) or an oil tanker (say, the Exxon Valdez). You would naturally wish to lessen your own risk by reinsuring it, and would therefore go to a Lloyd’s broker to do so. The broker would go to one or more underwriters at Lloyd’s and see who would agree ...”