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“... In many ways, Paula Backscheider has written a highly appropriate life of Defoe. Fat, fact-filled and repetitious, her book offers a meandering narrative of merchant adventures and spying, opportunism and piety, taking us from fire and plague to bankruptcy via the battlefield of Sedgemoor, Newgate prison and the pillory. It is, in other words, much like a novel by Defoe ...”

“... A recent ‘free uncensored’ supplement to Company magazine featured a display of 29 male bottoms. ‘How’s this for bare-faced cheek!’ it proclaimed above this set of ‘spanking pics of real-life bums’: slim bums and flabby bums, muscly bums and pimply bums, hairy bums and smooth bums. Pornography has always had an obsession with comparisons and quantifications ...”

“... yet does so in a jaunty tone that turns somersaults over despair. Such energy is sadly absent from David Roberts’s book The Ladies: Female Patronage of Restoration Drama, though, like Charke, Roberts is more concerned with events behind the scenes and in the auditorium than with those on the stage. Determinedly old-fashioned, this study clearly betrays its ...”

“... Mary Fiddler, a fine blooming lass of 18, her – is like silk itself, and bubbles as white as snow; she is just in her prime, and fit for business, she is broke in this spring, by a well-known gentleman of the turf. Her movements are regular, her pace elegant, and her action is good: and when you mount her, she begins to f—k away to the tune of the ‘Dandy O ...”

“... The main problem for David Nokes or for any other biographer of Swift is that the agenda has already been prescribed. Within a few years of Swift’s death in 1745, questions were raised which are still the standard issues. What kind of man wrote the fourth Voyage of Gulliver’s Travels? Did his imagination give him away? ‘In painting Yahoos he becomes one himself,’ according to the Earl of Orrery’s Remarks on the Life and Writings of Dr Jonathan Swift (1752 ...”

“... Like most biographies nowadays, David Nokes’s John Gay is very long, but unlike some of the others it is not much longer than it needed to be. Gay devoted so much of his attention to people grander than himself that his life story can’t be told without allusion to those of more complicated and ambitious figures like Pope, Swift and Addison ...”

“... Women Writing about Money (1995) gets more thoroughly into the topic than a biographer can, and David Nokes provides even more insights than Tomalin into (say) Austen and legacy-hunting. In fact Tomalin’s considerable strengths are surely of another kind – to do with her modern, matter-of-fact tone of voice and her narrowed focus on Jane Austen as ...”

“... audience. Boswell brackets Johnson’s physical particularities off from his narrative, but for David Nokes they become a central feature of his ability to create a ‘shock effect’. Thus William Hogarth’s first encounter with Johnson at the home of Samuel Richardson: While he was talking, he perceived a person standing at a window in the ...”

“... By comparison Pepys’s linguistic aberrations have an innocent air. It has been pointed out by David Nokes that the Companion is distinctly reticent about sex. In this it reflects the new edition as a whole: the facts are there, but not dwelt on (good) or ever really analysed (dubious). Not only is there no entry for Sex (as ...”

“... of character and the assessment of anecdotal evidence.) There is an accessible biography in print, David Nokes’s excellent Jonathan Swift: A Hypocrite Reversed (1985), but this was written with an eye on the student (and teacher), rather than the non-academic reader whom Glendinning has in mind. Nokes, subtitling his ...”