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“... If the answer is yes, students are encouraged to place an announcement in their college newspaper. David Horowitz, a progressive activist turned conservative pundit, and an ally of SAF, runs an online journal, FrontPage Magazine, which claims 1.7 million hits a month. He has devoted considerable attention to the peace studies programme at Ball State ...”

“... the closet. This time, however, there was no formal disbandment and since the mid-Eighties, when David Duke organised his spin-off Knights of the Ku Klux Klan, embittered white Southerners have kept in trim by linking up with one or another of America’s numerous neo-Nazi militia movements. The Twenties obsession with Catholics has again been sidelined. The ...”

“... on an afternoon bus-tour through Khayelitsha or Alexandra. Neither Julie Frederikse nor Donald Horowitz is a South African. The former has obviously become a friend of the ANC and the Mass Democratic Movement; the latter, on short visits to South Africa, has met some astute Stellenbosch and Natal academics but does not thank one African informant by ...”

“... and find it wanting – Cardew was excited by the alternative that they appeared to offer. David Tudor, Cage’s pianist and pupil, was an important new influence, as were other American composers like Morton Feldman, Earle Brown and La Monte Young. He even contemplated emigrating to the United States. Cardew returned to London to digest these ...”

“... and they have a son called Jules. Jules is a musical genius, a pianist prodigy on the model of a Horowitz or Rubinstein. To complete his education, Jules is sent to school in England. At this point in the story, the Hechters’ life undergoes a radical change. Rex Smail-Turner, one of High Hampton’s bachelor masters, accompanies young Jules home one ...”

“... to deliver much more than formulaic world-weariness, a drone like a miraculously articulate David Hockney impersonator. Jonathan Meades does this schtick so much better, performs himself with lip-smacking relish. Gossip has its charms, but not when it’s dragged out over three interminable evenings with animated postcard footage re-used to the point of ...”

“... stay in London thirty years ago, there is an interesting exchange with the psychiatrist David Cooper. Sinclair: It seems to me that what has emerged from this Congress [the Dialectics of Liberation] is the necessity for what has been described as madness – as one of the few active means of keeping society alive ... Cooper: Yes, I think we’ve ...”