Search Results

“... littering the sofa tables of the Manchester bourgeosie. In the 1980s, the American poet David Antin charged that ‘anthologies are to poets as the zoo is to animals.’ More recently, Marjorie Perloff called for undergraduates to swear off Evian, in the hope that tap-water drinkers could afford unabridged books rather than hackneyed ...”

“... critic, but brought to life by him as skilfully as is the even more unpromising Leviticus by David Damrosch. Damrosch begins: ‘Perhaps the greatest problem facing students of the Bible as literature is the fact that so much of the Bible is not literature at all’ – a thought which will occur to most of the ...”

“... a value on titles,’ he purred, ‘and I go with the great stream of life.’ Another member was David Garrick, who grew up alongside Johnson in provincial Lichfield, and shot to prominence in his twenties for the revolutionary naturalism of his acting style, notably his startling performance as Richard III. Garrick was elected to the Club in 1773; the ...”

“... life are tellingly invoked. Then there is an amazingly learned search for the sources of David’s Oath of the Horatii. The trail leads through Gluck, Garrick, the ballet-master Noverre, Lavoisier, Beaumarchais and (less of a displaced person now, than when Wind was writing in 1941) Salieri. It is nard to imagine a reader with any developed interest ...”

“... A revised edition of the Norton Anthology commissioned a translation of Beowulf from Heaney, and David Damrosch’s Longman Anthology of British Literature advocated a linguistically complicated idea of what ‘British’ meant. Sean Shesgreen’s ‘Short History of The Norton Anthology of English Literature’, published in Critical Inquiry in ...”

“... decision would appear to contradict the principles of the first, it is not entirely arbitrary. As David Foxon established in his wonderful study Pope and the Early 18th-Century Book Trade, Pope was fussy about the details of his texts, closely supervising and altering later editions and moving them away from the somewhat baroque typography in which his early ...”