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“... European literature,’ wrote David Dabydeen in his essay ‘On not being Milton: Nigger Talk in England Today’, ‘is littered with blacks like Man Friday, who falls to earth to worship Crusoe’s magical gun, or the savage in Conrad’s steamship.’ He could have added that American literature is too, from Uncle Tom to Nigger Jim to Porgy and Bess and Dilsey in The Sound and the Fury ...”

“... and soundscape appears in several of her compatriots’ work, in the poetry of Grace Nichols and David Dabydeen, and, especially, in the fiction of Wilson Harris. (I once invited Harris, a long-time resident of Chelmsford, to talk about what it was like to live in Essex: he wrote back to say that he had no idea – his mind was always in ...”

“... was held in the same year, at the University of London. Studies by Peter Fryer, James Walvin and David Dabydeen appeared in the next few years. Fryer, whose Staying Power is still the most detailed – and most often consulted – account of the subject, gave more than two hundred talks and lectures at adult education centres, schools and public ...”

“... herself marooned on a desert island with a slave whom she despises but is wholly reliant on’. David Dabydeen, whose 1987 book, Hogarth’s Blacks, was a study of ‘Images of Blacks in 18th-Century English Art’, based his novel A Harlot’s Progress (1999) on a startled black servant in one of Hogarth’s illustrations for The Harlot’s ...”

“... King reports here, is the only surviving 18th-century African artefact associated with slavery. David Dabydeen has pointed out that the very word ‘patron’ could at this point mean both connoisseur and slave-owner. It would be intriguing to know whether the peculiar interest which Sloane had in tobacco and its paraphernalia was connected with his ...”

“... and Randolph Quirk) jostle with poets and novelists (including Medbh McGuckian and Amy Tan). David Dabydeen writes ‘On Not Being Milton: Nigger Talk in England Today’, and discusses, in impeccably establishment English, a question that might just as well come under ‘Art’: how does a black writer in English find an authentic voice: what does ...”

“... on the prominence of ‘the morbid and the tragic’ in his own work, the Guyanese poet David Dabydeen once said that ‘the plantation experience had severe and traumatic psychic impacts … but overwhelmingly had to do with what is the very ground of our being, which is our body.’ This is an obvious reason slavery goes with revenge ...”

“... who write poetry of home are often aware of its dangers though they may not always avoid them. David Dabydeen’s ‘Coolie Odyssey’, dedicated ‘for Ma’, and included in Section One of the four-part ‘alternative’ anthology, The New British Poetry, opens: Now that peasantry is in vogue, Poetry bubbles from peat bogs, People strain for the ...”