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“... It sure as hell wasn’t you!’ In Walls Come Tumbling Down, an oral history of the campaign, Daniel Rachel describes what happened next. Several hundred people – music fans, young Jewish punks, even the future broadcaster Rod Liddle, then at school in Middlesbrough – wrote back to Saunders, pledging their support for his initiative. An informal ...”

“... delighting her audience with a glimpse of hell. Vashti is easily identified as the tragedian Elisa Rachel, whom Charlotte Brontë had seen in London in 1851. Sarah Bernhardt may be better known today, but it was Rachel who haunted the English literary imagination throughout the 19th century. In James’s The Tragic Muse, the ...”

“... and the sculptor Anne Seymour Damer stand together over a cauldron as the witches in Macbeth by Daniel Gardner (c.1775), women pretending to be actresses pretending to be witches. Overwhelming the exhibition is a huge copy done by Reynolds’s studio of Sarah Siddons as the Tragic Muse (1784); the portrait shows Siddons sitting on an antique throne like ...”

“... empowered them to make the barbarian deserts bloom. ‘The elect are a wrathful people,’ Elder Daniel Parker said, ‘because they are the natural enemies of the non-elect.’ When the Indians arrived, ten of the Parker men were working in the fields about a mile away. Six men, including James and Silas Parker, both Texas Rangers, were still at the ...”

“... of all Jews, was to be revived: ‘jargon’ had to go. It was a consciously executed programme. Rachel Katznelson, who was born in what is today Belarus and who immigrated to Palestine in 1912, observed in 1918: ‘We had to betray Yiddish, even though we paid for it, as with any betrayal.’ By 1922, when the British Mandate recognised Hebrew as an ...”

“... grotesques that animate all Amis’s novels – from the scabrous adolescent narrator of The Rachel Papers (1973) to the leeches and locusts of House of Meetings – belong in Frye’s fourth and final mythic category, ‘winter’, which stipulates monsters for the apocalypse. But, here as elsewhere, Amis mistakes his Frye: satire is ‘militant’ not ...”

“... of popcorn and hogsheads of energy-boosting drinks. These days only the fake is truly authentic. Rachel Lichtenstein, with whom I wrote Rodinsky’s Room, was dragged here to choose a wedding dress. She lived in Hackney, her mother in Southend: Bluewater was the obvious rendezvous. Twenty minutes in the malls and the ceremony was about to be called ...”

“... used for the filming.I first saw the house in 1968. Jonathan Miller lives in the same street and Rachel, his wife, saw the ‘For Sale’ sign go up. It belonged to an American woman who kept parrots and there were perches in the downstairs room and also in its small garden. Slightly older than the other houses in the crescent, like many of them it had been ...”

“... attending Jewish weddings. Giorgio Moretto, a Christian, had an affair with a Jewish woman called Rachel. He wore a yellow cap in the ghetto and even ate matzah at the Passover seder.What did God think of all this interfaith traffic? The Senate offered Jews only temporary residency charters, so the question came up every few years. In 1519, when the first ...”

“... to an audience of fifty at the Kensington home of Lord and Lady Glenconner on the poetry of Arnaut Daniel, but the one Marinetti was due to give to an audience of five hundred at the Bechstein Hall on Futurism. ‘“Futurist” Leader in London,’ reported the Daily Chronicle, ‘Makes an Attack on the English Nation.’ If you can’t beat them, join them ...”

“... the number of dead birds on campus led him to demand an investigation into DDT (a decade before Rachel Carson), and then to Harvard Law School, where he scraped by, never unpacking his boxes, consuming huge meals of yankee pot roast and strawberry shortcake, disappearing on long hitchhiking trips, reappearing the night before an exam. What really engaged ...”

“... of J. Alfred Prufrock’), and the phrase ‘Let us go now …’ which occurs in Chapter 40 of Daniel Deronda (with ‘street’ and ‘sky’ later in the paragraph); between ‘When the evening is spread out against the sky’ (line 2 of ‘Prufrock’) and Thomas Hardy’s ‘forms there flung/Against the sky’ (‘The Abbey Mason’); between ...”