Customising Biography
Iain Sinclair, 22 February 1996
Collected Edition of William Blake’s Illuminated Books: Vol I: Jerusalem
editor David Bindman, edited by Morton D. Paley.
Tate Gallery, 304 pp., £48, August 1991,1 85437 066 9 Show More
editor David Bindman, edited by Morton D. Paley.
Tate Gallery, 304 pp., £48, August 1991,
Collected Edition of William Blake’s Illuminated Books: Vol. II: Songs of Innocence and Experience
series editor David Bindman, edited by Andrew Lincoln.
Tate Gallery, 210 pp., £39.50, August 1991,1 85437 068 5 Show More
series editor David Bindman, edited by Andrew Lincoln.
Tate Gallery, 210 pp., £39.50, August 1991,
Collected Edition of William Blake’s Illuminated Books: Vol III: The Early Illuminated Books
series editor David Bindman, edited by Morris Eaves, Robert Essick and Joseph Viscomi.
Tate Gallery, 288 pp., £48, August 1993,1 85437 119 3 Show More
series editor David Bindman, edited by Morris Eaves, Robert Essick and Joseph Viscomi.
Tate Gallery, 288 pp., £48, August 1993,
Collected Edition of William Blake’s Illuminated Books: Vol. IV: The Continental Prophecies: America, Europe, The Song of Los
editor David Bindman, edited by D.W. Dörbecker.
Tate Gallery, 368 pp., £50, May 1995,1 85437 154 1 Show More
editor David Bindman, edited by D.W. Dörbecker.
Tate Gallery, 368 pp., £50, May 1995,
Collected Edition of William Blake’s Illuminated Books: Vol. V: Milton, a Poem
series editor David Bindman, edited by Robert Essick and Joseph Viscomi.
Tate Gallery, 224 pp., £48, November 1993,1 85437 121 5 Show More
series editor David Bindman, edited by Robert Essick and Joseph Viscomi.
Tate Gallery, 224 pp., £48, November 1993,
Collected Edition of William Blake’s Illuminated Books: Vol. VI: The Urizen Books
editor David Bindman, edited by David Worrall.
Tate Gallery, 232 pp., £39.50, May 1995,9781854371553 Show More
editor David Bindman, edited by David Worrall.
Tate Gallery, 232 pp., £39.50, May 1995,
“... scratched the surface of what she wanted to say. Swathes of documentation, letters, had to be cut down or removed entirely. The picture she sketched, of the never-eradicated desire of the principal Beats for a lick at the American dream of the Fifties – Saturday Evening Post family, house, plot of land – remained under-described, overwhelmed by ... ”
