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“... Malcolm Bradbury is a self-conscious progressive, but he writes the old kind of history. D.J. Taylor is a self-conscious reactionary whose book is a rather strange example of the new kind. Taylor’s belief, set out bluntly in his introduction, is that no modern English writer can ‘hold a candle’ to Dickens or ...”

“... to be ‘judgmental’. Reviewers are paid to be judgmental, and few are more judgmental than D.J. Taylor. Writing in the Independent during the present run-up to the Booker Prize award, he asks: ‘Where, in any international literary framework, is the British writer who matters?’ Not one, he suggests, can stand comparison with Marquez, Kundera, Tom ...”

“... D.J. Taylor​ is the most charitable of critics. However absurd, third-rate or pretentious the authors he examines, he can always find something to say in their favour. In this latest study, he even puts in a good word for the preposterous Sitwell family, having first given them a roasting for their insufferable self-importance, on the grounds that Edith, Osbert and Sacheverell were at least serious about literature ...”

“... study to integrate a wealth of Thackeray illustration into its text, something that D.J. Taylor also does effectively. Taylor’s book represents a third generation of biography. His judgment on Thackeray is generous, but much less inclusive than Ray’s. The basis of Taylor’s ...”

“... Rather​ D.J. Taylor than me, when it comes to untangling the unbelievably complicated and messy love lives of the so-called Horizon circle: the people who clustered adoringly around Cyril Connolly during his years as editor of the short-lived literary magazine (1939-50). Was Connolly still carrying on his affair with Diana Witherby when he started his affair with Lys (while still married to Jean and while Lys was still married to Ian)? Was Barbara Skelton having an affair with the Polish war artist Feliks Topolski when Peter Quennell came onto the scene, still married to his third wife, Glur, but making Topolski so jealous that the men resorted to fisticuffs over Barbara? What made Janetta, still married to Hugh Slater, fall in love with Kenneth Sinclair-Loutit, and would that relationship last?Taylor wades deep into the cigaretty fug of that small literary circle awash with till-boredom-do-us-part love affairs conducted in rented accommodation ...”

“... judicious (though not hopelessly balanced) accounts, the new biographies by Gordon Bowker and D.J. Taylor confirm what the law of averages might have led one to suspect: some of this is true, some of it questionable and the rest of it false. (Scott Lucas, by contrast, thinks almost all of it true.) Orwell was indeed unsociable, anti-feminist and ...”

“... The bookseller was a snob about snobbery and thought it was vulgar to talk about class. D.J. Taylor is perhaps a literary snob for Cooper gets no mention in his much less enjoyable The New Book of Snobs: A Definitive Guide to Modern Snobbery (Little, Brown, £16.99). His first mistake is to attempt a definition rather than rely on examples. He suggests ...”

“... three evenings in September to his achievements as writer and film-maker. Surprisingly, D.J. Taylor doesn’t even mention him in his new survey of post-war fiction. In the late Fifties and after, Kingsley Amis, Johns Wain and Braine, Alan Sillitoe and Co struck a new, demotic note. The ‘traditional’ English novel of good and bad manners was ...”

“... In Evelyn’s own day, young trees were more usually shipped from Holland. I come from what D.J. Taylor has called the ‘pavement-pounding’ school of biography, perhaps particularly because buildings and landscape have been my preoccupation for so long. When I was researching my biography of John Soane I worked in his own house, which he had ensured (by ...”

“... health, or lack of it. This recklessness has attracted the attention of previous biographers. D.J. Taylor sees in it a ‘detachment from physical sensation’ that can sometimes appear ‘faintly inhuman’. Sutherland’s suspicions are darker still. Virtually everything Orwell did in life, he notes, ‘was bad for his lungs and his lifespan’. So why did ...”

“... at all. I confess to having hit this threshold of fact nausea by about page 183 of 597 in D.J. Taylor’s New Life, but I offer that as a criticism of myself rather than of this super-diligent book, and I did persist right to its end (spoilers: Orwell remarries on his deathbed and then dies of TB).Taylor has rewritten ...”

“... career was concerned (he took up the first of a series of distinguished chairs, the John Edward Taylor Professorship of English at Manchester, the following year), and a book of that sort was more widely reviewed in those days than it would be now. But was the publication of that short book, largely about the Romantic roots of modernist poetry and ...”

“... alive. There is still something to be said for this view, and I was reminded of it by D.J. Taylor’s snooty mimicry of textbook journalese in ‘On The Strip’, which purports to describe life on Sunset Strip, Hollywood Boulevard (‘a clotted heatscape of a place, a serpentine coil of stores and diners split in two by a wide thread of tarmac, hazy ...”

“... Dostoevsky. As a cleric of the established Church, I am ranking high. St Augustine, Bede, Jeremy Taylor, Parson Woodforde and Kierkegaard get only one mention each (and strictly speaking, the gloomy Dane was a frondeur on the fringes of establishment piety and ought not to count). Bossuet, Bunyan and George Herbert equal me, but again, only Herbert comes ...”

“... in a Modern Church’. This persona says: I long for John Donne, Lancelot Andrewes and Jeremy Taylor To preach, telling me without consultation Something I did not realise I ought to know. Very proper, once again. But why are these sentiments not subscribed: ‘Patricia Beer’? Why instead do we have this persona who has been reading, all too ...”