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“... remaining evidence of his limited practice. The writings he left are, judging by the account Brian Lukacher gives of them in Joseph Gandy: An Architectural Visionary in Georgian England, voluminous but opaque, incoherent and cloudily speculative.* (When he entered into an ill-judged defence of his employer in the Guardian the architect James Spiller ...”

“... Art. Throughout the book, indeed, one finds critical writing of the highest standard: Brian Lukacher’s discussions of William Blake and Henry Fuseli, and Eisenman’s chapters on Goya and Seurat, are especially good at striking a balance between sophistication and accessibility. Elsewhere, Eisenman, who is responsible for fully half the ...”