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“... a rather comic subtitle describing the work as ‘the authentic voices of England’) is Anne Savage’s profusely illustrated translation of the Anglo-Saxon ...”

“... success. She was ambitious for literary fame, and adored the theatre. Bouncy and excitable – Anne Stott describes her at the age of 18 as ‘a practised and persistent attention-seeker’ – she wrote pastoral verse drama for performance by schoolgirls and helped produce plays at Bristol’s Theatre Royal, but her sights were set on London. Quite how ...”

“... I do with my right arm and hand, where I have a tremor, the toothbrush whams up and down at a savage pace, colliding with lips and gums. But a nerve path has a plane of action. If I concentrate and change the plane – by moving my arm up or down – I can interrupt the flow and still the tremor. Concentration is key. I have to think into the motion.A man ...”

“... of America in art – the frontier, the cloudless sky, basin and range, the noble or dreadful savage – had turned to dust. O Pioneers! gave way to The Grapes of Wrath. With the Great Plains a dustbowl and the traditional trek westward flooded with starving families, there wasn’t much call for landscapes in the grand manner of the Rocky Mountain ...”

“... by putting his head in a plastic bag. By this time it was 1981. It is difficult to react to Savage Grace without sounding like either Savonarola or Lord Longford. Some kind of moral judgment seems to be called for. No aesthetic judgment is possible anyhow, because this is one of those un-books composed of letters and statements by friends, acquaintances ...”

“... The present book avoids such manichean pitfalls, but confronts their methodological preconditions. Anne Salmond, a Pakeha anthropologist at the University of Auckland, has spent much time with Maori informants, modern and sophisticated people – there are some formidably effective Maori jurists – who have communicated to her a sense of the ...”

“... though formal greetings could also be used in an uncivil manner. Thomas notes that in 1620, ‘Anne Lea, walking through Nantwich churchyard, passed Anne Lewis, a former servant whom she had dismissed; Anne acknowledged her by making “a curtsy in a scornful and deriding ...”

“... The third. ‘The second Thatcher Government set about establishing a police state and mounted savage attacks on socialist local authorities and militant unions like the mine-workers. The extra-Parliamentary activity of working people’s organisations, and the noncompliance of socialists in local government, precipitated the General Strike of 1985 which ...”

“... are first Peter, known as the Count, a Polish refugee, friend and former colleague of Guy; and Anne, college friend of Gertrude, recently emerged from 14 years in a convent. The Count is the only possible candidate for the ‘soldier’ of the title, and he becomes so only by virtue of a single metaphor, in which he is described as a conscript in the army ...”

“... with light. Extract the truth that this bastard has in his throat.’ As the beating becomes more savage, other members of the Resistance group, who have gathered to watch, begin to protest. Some leave the room. Thérèse doesn’t flinch. She is as unmoved as Francine in La Vie tranquille. La Vie tranquille wasn’t published until the end of December ...”

“... In his hands Mennonism is a deadly weapon. His instrument is the ‘shunning’, a particularly savage form of excommunication in which the apostate is forbidden all verbal or physical contact, even with family members. One by one the Nickel women are threatened with shunning, and the prospect of death-in-life rips the family apart. ‘That’s the thing ...”

“... Pavannes separate themselves from the products of, say, Mills and Boon. To be seen reading The Savage Touch or A Taste of Paradise (two of M and B’s ten new titles for July) is to stand revealed as over rather than under-burdened with blank leisure hours. Where Pavanne is all to do with jet travel, tight schedules and rocketing careers, Mills and Boon ...”

“... that moment trying to create a work of art. But it is reinforced by an anecdote related by Henry Savage Landor. Landor was dining with Whistler (it was in 1896, towards the end of the painter’s life), and in the drawing-room, after dinner, his eye was caught by a skull and a lamp on the grand piano and he suggested that Whistler should sketch this little ...”

“... persuasively that the sudden availability of these animals – still too young to have grown savage and unreliable but large enough to be visually arresting on stage – might help to explain the otherwise inexplicable and enormously popular revival in 1610 of that creaking old romance Mucedorus, with its original part for one white bear augmented, not ...”

“... It is 1912, and Miranda Gay, one of Katherine Anne Porter’s versions of her younger self, is travelling to a family reunion in South Texas, in the country between Austin and San Antonio. She has made a rash early marriage and alienated herself from her family. She talks to an elderly woman cousin on the train, who bursts out: ‘Ah, the family … the whole hideous institution should be wiped from the face of the earth ...”