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“... Brancusi arrived in Paris from Romania in 1904, already a competent modeller and furniture-maker – a craftsman as well as a sculptor, trained in the Craiova school of arts and crafts. He is a node in any number of nets drawn to explain 20th-century art in terms of who might have known whom, what they might have learnt. There are many moments to choose from ...”

“... Department (P&S) to take over. The selection was made by John Elderfield and his team – Ann Temkin, Joachim Pissarro and Anne Umland (the first two are newcomers to MoMA).* Elderfield has worked in P&S for years, under the directorships of both William Rubin (1973-88) and Kirk Varnedoe (1988-2000). Yet Elderfield’s final show in the old ...”

“... attempt to use the vernacular is a valiant one for scholarly MoMA curators to make. Chief curator Ann Temkin told the New York Times that most visitors to the museum ‘did not sign up for an art history course’; hence the avoidance of art-historical language, which is outsourced in part to the web. Yet it might be that more art history is needed ...”

“... been defended in Continental writings, and by historians of medicine, such as the great Owsei Temkin. In England, much of what was said and written at the time is construed as incomprehensible (which it no doubt was) and Romantics can be characterised as raving on about ‘polarity’ and ‘archetype’ before collapsing into early death, or ...”