In the Turner Gallery
Peter Campbell: Coleridge’s Note-Taking, 26 February 2009
“... of Hope (‘that strange, inchoate and amorphous collection of scraps’, the Turner scholar Andrew Wilton calls it – he thinks that Turner could well have been dyslexic) were printed as epigraphs to his paintings in Academy exhibition catalogues. The received notion was that poetry and painting were complementary, painting offering ... ”