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A City of Sand and Puddles

Julian Barnes: Paris, 22 April 2010

Parisians: An Adventure History of Paris 
by Graham Robb.
Picador, 476 pp., £18.99, April 2010, 978 0 330 45244 1
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The Invention of Paris: A History in Footsteps 
by Eric Hazan, translated by David Fernbach.
Verso, 384 pp., £20, February 2010, 978 1 84467 411 4
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... and so on, even unto Whither Paris, City of Light, in the Transnational Age? Graham Robb and Eric Hazan are both keen to avoid the Gendarme Plod approach, and well aware that, as Robb puts it, ‘a changing metropolis with a population of millions can never be comprehended by a single person.’ They also typify the difference between English and French ...

I’m ready for you!

Raymond N. MacKenzie: Balzac’s Places, 23 January 2025

Balzac’s Paris: The City as Human Comedy 
by Éric Hazan, translated by David Fernbach.
Verso, 20 pp., £15.99, June 2024, 978 1 83976 725 8
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The Lily in the Valley 
by Honoré de Balzac, translated by Peter Bush.
NYRB, 263 pp., £16.99, July 2024, 978 1 68137 798 8
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... social, political and moral landscape populated by often bizarre, monomaniacal characters. Éric Hazan – who died last year at the age of 87 – is an excellent guide to Balzac’s Paris, having written extensively on the city and its history, especially during the Revolution. Balzac spent 35 years in Paris. The longest he lived in a single ...

‘It didn’t need to be done’

Tariq Ali: The Muslim Response, 5 February 2015

... the celebs soon followed suit. How many turned up in all? A million was the official figure. Eric Hazan, the waspish historian of Paris, used different criteria: It was as big as the one on 28 April 1944, when Marshal Pétain attended the funeral service for the victims of Allied bombings at the Hôtel de Ville. War fever apart (the shouts of ‘To ...

What’s going on, Eric?

David Renton: Rock Against Racism, 22 November 2018

Walls Come Tumbling Down: The Music and Politics of Rock Against Racism, 2 Tone and Red Wedge 
by Daniel Rachel.
Picador, 589 pp., £12.99, May 2017, 978 1 4472 7268 7
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... way of atoning for the past. The footage of the Clash’s performance, which has survived in Jack Hazan and David Mingay’s film Rude Boy, shows a band unhappy with the event’s organisers. The Clash wanted to headline. But it was RAR tradition that the final performers at any concert had to be black. RAR refused to let the Clash play last (they also ...

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