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“... there is but one tense, and all ages in her sight are alike present,’ he asserted in a review of Victor Hugo’s L’Année terrible, and this must have been one source of T.S. Eliot’s idea of artistic tradition – and modernist technique – as a ‘simultaneous present’. In ‘On the Cliffs’ (1880), Swinburne experimented with blending ...”

“... to my brother Alexander. Bear with me. Roy’s wife, Valerie, was godmother to my younger brother, Hugo (technically, he is my half-brother), and Valerie and Roy’s eldest son, another Alexander, was Donald’s godson. Two families roped together in friendship and event. Alexander, who is now sixty, lives quite close to me in London, but I haven’t seen much ...”