Missing the Vital Spark
Mark Ford: Tony Harrison, 13 May 1999
“... Aeschylus’ own son, Euphorion. In the foreword to his 1967 prose version of Prometheus Bound, Robert Lowell noted that this play is ‘probably the most lyrical of the Greek classical tragedies’, but also ‘the most undramatic – one man, a sort of demigod at that, chained to a rock, orated to, and orating at, a sequence of embodied ... ”