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“... Alcoholism softens the flesh – or at least, the 19th-century French variety did. When Verlaine died, Mallarmé watched a cast being taken of the face of this staunchly self-destructive drinker. He reported to the poet Georges Rodenbach that he would never forget ‘the wet, soggy sound made by the removal of the death-mask from his face, an operation in which part of his beard and mouth had come away too ...”

“... and its enviable command of recent explorations of popular culture, many of them the work of French folklorists and anthropologists. Now, much altered, it appears in English. Laroque has added further illustrations, comment about theatre audiences, reference to folio and quarto variants in Shakespeare, consideration of New Historicist interpretations of ...”

“... Henry VIII had embarked on a military expedition in northern France, and Scotland responded to French calls for aid by invading England. James IV’s army was equipped with an impressive number of modern cannon cast in bronze and was accompanied by Continental experts in the latest techniques in warfare. The army and its cannon made short work of a number ...”

“... describes took place in London, with a brief postscript in Paris. The embassy of the title is the French Embassy, located at Salisbury Court between Fleet Street and the river. (A contemporary map places it on the north side of the court, but rather typically Bossy argues it was on the opposite side.) Various politicians, authors and malcontents play a ...”

“... debatably attributed pieces – was unknown to the international public until Théophile Thoré, a French critic, began to collect and promote it in the mid-1860s. It offered a new version of the homely Dutch art invoked by mid-19th-century novelists such as George Eliot, who made her famous defence of ‘vulgar’ realism in Adam Bede. The pictures Eliot had ...”

“... Whole systems of thought have been founded on the French language’s inability to distinguish differing from deferring. Perhaps Napoleon is to blame (‘Not tonight, Josephine’). In Britain, we do things differently. Whereas Baudelaire’s vrai voyageur preferred travelling joyfully to the letdowns of arrival – in modern terms, couldn’t stop playing with his signifier – Forster’s Mrs Moore remains convinced that there is a real India to make her passage to, Conrad’s Marlow knows there’s a heart of darkness worth all the tourist’s little tribulations ...”

“... who we are, and of the many places in which our identity is recorded? Some accounts start with the French Revolution and the needs of modern states and colonial empires. Others, following Foucault, push the beginnings back to the surveillance and discipline – ‘the new technologies of power’ – that the monarchies of the 17th and 18th centuries developed ...”

“... we had been brought up. Among the most exciting of the new approaches was that of the school of French historians associated with the journal Annales: Economies, sociétés, civilisations. What made their work exciting was, first of all, the sense they conveyed that nothing was off-limits for the historian, no aspect of life too obscure: everything, from ...”

“... of white Tom   Shall float to Heaven – to Hardy’s ‘rather monotonously small follower Philip Larkin’, etc? If he despises William Carlos Williams, Dylan Thomas, Gertrude Stein, Robert Lowell, Charles Olson, Edith Sitwell, Augustus John and Ted Hughes, what’s the merit of vulgarity and spleen? Many trees have been cut down to make the paper on ...”

“... to marry, relates to the master-card in the 1578 strategy of appeasement: a royal match with the French King’s brother, Francois, Duke of Anjou. It would be an inexpensive way of turning Anjou’s unpredictable and unprincipled cavortings in the French and Dutch religious wars to England’s advantage. Elizabeth’s ...”

“... overlooked. This book corrects that omission, giving a compelling account of the Burgundian and French contexts in which Anne was raised to be a lady of the court. Margaret of Austria, regent of the Netherlands, described Anne at the age of thirteen as ‘so bright and pleasant for her young age’. Margaret’s court was full of art and literature: she ...”

“... world in its 19th-century Latin form as the jus primae noctis (a prudish rewriting of the French), the droit de cuissage stipulated the seigniorial lord’s right to deflower newly married brides on his domain. The term conjoins juristic privilege and sexual abuse in its combination of ‘right’ (droit) and ‘thigh’ (cuisse). It first appears in ...”

“... pleasance, reachable only by boat – in the marshy grounds of his favourite castle, Kenilworth. A French astrologer, who gave the king an astrolabe in July 1415, believed he would have been better suited to a career in the Church (possibly on the basis that Henry spoke to him in Latin), but Henry’s uxorious motto – ‘une sanz pluis’ (‘one and no ...”

“... at the Queen’s Hall. When the Great War began, the Hôtel Beau-Site was commandeered by the French government and turned into a hospital. This, together with the wartime rent controls imposed on landlords, made the family finances suddenly precarious. The maids, to whom Tippett was attached, were dismissed and at the age of nine he was packed off to ...”

“... duty and alert. She jogs Ms Benkovitz’s elbow on the very epigraph page, where a sentence whose French seems questionably transcribed is attributed to a painter barely recognisable under the unfamiliar form ‘Jean Ingres’. She does not allow Ms Benkovitz even to complete her two-page Prologue without a nasty collision of plural and singular: ‘His ...”