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“... years’.The government was determined to extract an apology from the men. The attorney general, Michael Havers, was sent to Walton to persuade them. Havers went from cell to cell, trying to talk to each man separately, promising early release. He then addressed them in the prison chapel. All they had to do was say sorry. If they did, they could leave that ...”

“... in Love enjoyed mass appeal in Victorian England. One fatuous confection by Robert Folkestone Williams, The Youth of Shakespeare, went through six editions in three countries, besides being translated into German, and the author was encouraged by its success to complete a Shakespearean trilogy. Since, as Helen Gardner says, ‘the facts that are clearly ...”

“... revelation in Pickles’s book. ‘I have not been able to reveal until now that it was Mr Justice Michael Davies who suggested that I jail Renshaw for seven days,’ he writes. ‘He asked how long I proposed to give her, and I said 21 days. “No, make it seven,” he said, and I did.’ There is not a trace of irony in this passage. Nor is there in his ...”

“... Luna, on the cover. Nearly fifty years later I was scolded by a publisher for putting Serena Williams on the cover of a fashion magazine just before the start of the US Open. The advertisers were unhappy, I was told. ‘We all love Serena, of course! It’s just that she looks so angry.’ Much of his success, however, comes down to being a ...”

“... orientation. In this context, Malise Ruthven’s journey – which begins at the tomb of Roger Williams (the founder of Providence, Rhode Island), takes in memorials to Brigham Young, Martin Luther King and Thomas Merton, and ends at the grave of Thomas Jefferson – has a distinctly antiquarian flavour. Ruthven believes that myths ‘become plausible when ...”

“... resignation. A scattering of dissident voices on the payroll – Seumas Milne, Owen Jones, Zoe Williams, George Monbiot – were drowned out by a host of detractors, from within the paper and without: Tim Bale, Nick Cohen, Anne Perkins, Michael White, Martin Kettle, Peter Hain, Alan Johnson, Tony Blair (twice), Jonathan ...”

“... To die thus at just the right moment depends, in life, not on narrative logic but on what Bernard Williams calls ‘moral luck’. It is what enables a person to die when full of days, old but not in terminal misery, correctly mourned by a numerous and prosperous family. It is not an ending one can choose, it is a matter of aesthetics. For instruction in the ...”

“... Horace and Ovid threw down the gauntlet to oblivion: come and get me if you can. Paul Farley and Michael Symmons Roberts are poets and professors of poetry, and the authors of a previous collaboration, Edgelands, which took as its subject the dejected spaces that buffer suburban developments, industrial parks, highways and airports. They have now teamed up ...”

“... through the reductionist lenses of colour and colourlessness. She leans heavily on Raymond Williams’s notion of a ‘structure of feeling’ which supposedly defines the ‘particular and characteristic colour of a period’. What Williams intended by ‘colour’ was ever-changing mood, constant only in its ...”

“... any wing of the party, would have held that view. She shows herself to be very jealous of Shirley Williams, and in particular of Shirley’s success with the media, by whom she always felt herself battered. One can understand her resentment of the fact that of the two nicest people in Cabinet, one was the other woman and the other was the right-wing figure of ...”

“... and a voice. The first reading took place at the Six Gallery in San Francisco on 7 October 1955. Michael McClure who also read that night along with Gary Snyder, Philip Whalen and Philip Lamantia, describes the poem’s impact in Scratching the Beat Surface (1982): I hadn’t seen Allen in a few weeks and I had not heard Howl – it was new to me. Allen ...”

“... plausibly recalled than the conger eel story is the fine remark made by Shelley’s friend Jane Williams when Trelawny first encountered him. No sooner had they met than Shelley disappeared, and a puzzled Trelawny asked where on earth he had gone. ‘Mrs Williams said: “Who? Shelley? Oh, he comes and goes like a ...”

“... rather than poet, and compares Genet (‘in this respect only’) with Nabokov and Tennessee Williams, ‘whose actual poetry is sentimental but whose prose – animated by suspense, dramatised through conflict, particularised by characters and aerated by dialogue – owes its brilliant sheen to its romantic diction’. This is convincing, and we might ...”

“... has never occurred to him’); a haunting, repeated definition of Hell borrowed from Charles Williams (‘nobody is ever sent to hell; he, or she, insists on going there’). There is a letter to the Sunday Times correcting the suggestion that Auden had snubbed Guy Burgess when he was in disgrace. It was true, Auden said, that he had been out when ...”

“... published An ‘Objectivists’ Anthology in 1932, A Novelette and Other Prose by William Carlos Williams, and two books by Pound: How to Read and The Spirit of Romance. It was while the Oppens were in Europe that the word ‘Objectivist’ came into existence. Pound had foisted Zukofsky on Harriet Monroe as a guest editor of Poetry for an issue which ...”