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“... distinction; and anyway he might have known from his first surprised (and hostile) response to Jackson Pollock that the future of an art is predictable only by hindsight. His meditations on the characteristics of modernity are more considerable. Writing admiringly about a print by Barnett Newman, he remarks in a parenthesis, ‘I’m no Modernist by ...”

“... rate among medical students – who were liable to let the knife slip – was high: the surgeon John Abernethy concluded his lectures with a resigned ‘God help you all.’ When John Phillips Potter nicked his knuckle anatomising – at the dead man’s request – the circus performer the ‘Gnome Fly’, he swiftly ...”

“... permission to use the runnels and platforms for The Vertical Line, a performance piece devised by John Berger. In Ways of Seeing, Berger presented on television for the first time an ideological analysis of art and aesthetics. One of the programmes juxtaposed pin-ups and centrefolds with Titians, in a powerful early assault on advertising. Thirty years ...”

“... Stonewall Jackson, the deeply neurotic but irresistibly romantic, swashbuckling Confederate commander, thought that the great and swift destruction of life and property seen in the American Civil War was the essence of war generally. But this war was not swift. It was long and gruelling: 425 men, on average, died every day for 1458 days ...”

“... in Boston. He was a state senator at the time in Illinois and running for national office. John Kerry, the Democratic presidential candidate, a singularly drab and prevaricating man, had been much taken by Obama after appearing on stage with him in Chicago. Many were taken with him. He was the ‘It’ guy, the papers said so. It isn’t much of a ...”

“... the presidency languished as a series of one-term nonentities succeeded the popular hero Andrew Jackson in the White House. Who could become excited by John Tyler, Millard Fillmore or Franklin Pierce? The Senate chamber, by contrast, was inhabited by giants, notably the ‘great triumvirate’ of ...”

“... will already know that Lincoln has four more years to live before he is shot by Herold’s friend, John Wilkes Booth, the most notorious of all those Americans who have sought to win fame by killing heroes and idols. In this urgent manner, blending the legendary and the humdrum, Gore Vidal introduces his story, like a 20th-century version of a Greek tragedy ...”

“... contributed to a no-nonsense, suck-it-and-see anti-intellectualism. For socialist playwrights like John Arden and Edward Bond, the consequence, in one case, is external and in the other a form of internal exile. But the most noted instance of the prophet rejecting his own country is the director Peter Brook who, having forged a glittering career in the British ...”

“... to be born and live as variously as possible.’ And yet in 1960 or 1961 she wrote him a ‘Dear John’ letter, ending their friendship. Her therapist had told her that her attachment to him was stifling other intimacies. O’Hara was wounded; friendships waxed and waned, but declaring a split in this way felt violent. ‘Giftwares’ (1955) O’Hara ...”

“... HMS Supply eased her way between the imposing sandstone cliffs that mark the entrance to Port Jackson and into a waterway that John White, the First Fleet’s surgeon, proclaimed as ‘the finest and most extensive harbour in the universe’. The hyperbole was perhaps understandable, for the Britons were seeing Sydney ...”

“... of Christian Socialism, biographies of Stafford Cripps and – strange conjunction – Glenda Jackson, a two-volume ‘biography’ of Parliament, a critique of the British aristocracy, a history of ten gay MPs who opposed appeasement and, only last year, a book called Code of Conduct: Why We Need to Fix Parliament. Bryant was also the first gay MP to ...”

“... By 1963​ , John Cage had become an unlikely celebrity. Anyone who knew anything about music – who had perhaps followed the perplexed reviews in the New York Times – could tell you how he had managed to transform the piano into a one-man percussion ensemble by wedging nails, bolts and erasers between its strings; or how he had – ‘and you’re never gonna believe this’ – somehow composed silent music ...”

“... the monumental American Visions: The Epic History of Art in America, the artist of choice would be John Singer Sargent, brilliant pictorial chronicler of the beau monde of the 19th century. Like Sargent, Hughes is a brilliant crowd-dazzler and populariser; like Sargent, he is unadventurous in his choice of precedents; like Sargent, a dashing but flattering ...”

“... poet like Ashbery. Alvarez’s New Poetry had reproduced on its cover a particularly frenetic Jackson Pollock abstract, and although most of the contributors were in fact English, an American style or ethos was assumed both by the cover and by the compiler. Contemporary British Poetry has shed that image entirely, having on its front a mildly beautiful ...”

“... and inn, the Swan and Hoop, near Bedlam Hospital in Moorfields. In his 1963 biography Walter Jackson Bate represents the household as affectionate, and Keats in particular as brave, just and kind. In his 2012 biography, Nicholas Roe represents the young Keats as emotionally disturbed, prone to frighteningly violent outbursts (as when, at five years of ...”