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“... ear and with a grease spot on his vest, who refuses to engage either in intellectual chat about James Joyce or religious debate about the identity of God. A bird-shaped stain on the ceiling above Asbury’s bed assumes the role of spiritual catalyst at the story’s conclusion, tearing ‘the last film of illusion’ from his eyes and bringing him face ...”

“... University Library (and in a 1973 facsimile, edited by Matthew J. Bruccoli). According to James West, editor of Trimalchio, the typescript of 27 October constitutes a completed version: ‘Naturally he expected to see proofs, and surely he planned to do some revising on them, but there is no evidence that, on 27 October, he contemplated major ...”

“... up his battle of words. Pound sought advice from the Berlin-based Nazi propagandist William Joyce (an Irishman known to his British enemies as ‘Lord Haw-Haw’) about effective broadcasting techniques. Maintaining he was the authentic voice of ‘United States heritage’, he made clear his particular opposition to ‘Churchill and company’, who ...”

“... into a shop in Dublin and counted the volumes in the Irish Fiction section. Books by and about James Joyce took up 20 per cent of the shelf space and the weighty representation of Beckett, Wilde, Bram Stoker and Swift also skewed the figures towards a male past, but if you discount secondary or critical texts the numbers aren’t as bad as they might ...”

“... flush with rage. He was an elective invisible. The artisan, the artificer. John Bayley, describing James Joyce in a review in this journal, called him ‘the penman of the family’. Praise indeed. A curse from which there is no possible abdication, a lifelong task, and one which Ian Penman has accepted with quixotic and sharp-witted stoicism. So what ...”

“... of as ifs.’ There are apparently 266 in Great Expectations alone. Where George Eliot and Henry James used analogy to guide interpretation of what a character might be thinking or feeling, in Dickens it is always a performance on the author’s part, a conjuring of unlikely associations (he was a gifted amateur magician). Mullan, however, rightly insists ...”

“... because they too were Protestants. So are the contributions of other revivalists, such as James Joyce, a Catholic nationalist who loathed the Church because of its condemnation of the nationalist leader Charles Stewart Parnell after he became embroiled in a divorce scandal in 1890. Separation from the UK was not the objective of most ...”

“... several years. There seems to have been some highbrow reading – O’Brian knew his way around Joyce and Eliot – and Richard Temple is filled with accounts of the garret-dwelling hero’s sordid sexual adventures. In the 1960s O’Brian told Tolstoy that ‘he had been quite a “bull” in his youth.’ He married Elizabeth Jones, a seamstress from ...”

“... or the recollected terrors that it seeks to make good. Writing to his brother Stanislaus in 1905, James Joyce conceded: ‘I think Wordsworth of all English men of letters best deserves your word “genius”.’ Joyce was unlikely to be much taken by nature mysticism: what he may have found to admire in Wordsworth was ...”

“... of his father’s work.’ Hermann Broch managed to leave Austria in 1938, with the assistance of James Joyce. Armand had less difficulty, for his Austrian passport described him as a Catholic nobleman whose main domicile was Athens: his fiancée, Eva Wassermann, had been a dancer at the Casino de Paris in Monte Carlo, and she was one of several ...”

“... to ‘British and Irish Authors’, a high-quality series which includes Patrick Parrinder on James Joyce and John Batchelor on H.G. Wells. Barnard gets a great deal into his short book, presenting a rather different Keats from that of the many other Keats scholars and biographers. Keats’s vividness has been present to his admirers in many ...”

“... is pulling out his cock and comparing it with those writers with whom he will be compared’ – James Joyce, Tolstoy, David Foster Wallace. ‘I will be compared to nobody.’ She spends weeks having ‘an existential crisis’ because ‘only one of us can be called an artist.’ Since this part of the book is more essayistic, and Zambreno seems be to ...”

“... and even lover that places Marx in the company of ‘Keats, Dickens, George Eliot, Dostoevsky, James Joyce, Franz Kafka, D.H. Lawrence’. Marxist thought and the Modernist tradition converge for Berman, as both try to grasp and confront the modern experience: Marx’s ‘new-fangled men ... as much the invention of modern time as machinery ...”

“... term, a commercial problem in that the work does not only offer treasure, it makes demands. Henry James suffered in the market place. James Joyce was too outrageous ever to figure there; he passed directly from anonymity to classic status, with no intermediate phase. ‘In the end,’ Stead once wrote, ‘nothing has ...”

“... the blurb has it) the death of Yeats. The American publisher and critic Dillon Johnston plumps for Joyce, rather than Yeats, in his title: not on a whim, he tells us, but in acknowledgement of certain literary procedures sanctioned by Joyce, and afterwards available to poets, no less than prose-writers. The lofty tone ...”