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“... dangerously ill with smallpox, ordering the privy council to appoint a successor in the event of her death. Elizabeth recovered, but it was still a revolutionary moment – the start of bureaucratic responsibility for the election of monarchs – and deeply revealing of the locations of Tudor power. In his next book, The Watchers, about the Elizabethan ...”

“... his suicide attempt. Genevieve only wants to help – and she seems gullible enough to assume that her charge only wants that himself. In an early meeting, she batters him with questions, and when he proves flippant and evasive, scolds him with a schoolmistress’s thin patience: ‘I am here to help you. You have to trust me. I am here because you need ...”

“... the Iliad are god-like, they are favoured by the gods and they resemble them in their beauty and majesty and strength: but whereas the gods live for ever and at ease, men cannot but suffer and die, and it is the gods’ will that they do so. It is for that very reason that they seek glory in battle, as the speeches of Glaucus in Iliad 6 or Sarpedon in Iliad ...”

“... including the reiterated ‘’ow you say?’ I suspect that Sir Angus never really got to hear her either. As the book proceeds, suspicions shift away from her, the baffling character, to him, the baffled creator. Audacious, even-handed, and good-naturedly witty in its mingling of historical facts and imaginative ...”

“... of Our Time, appeared in 1952. It was a bold debut because the young critic was committing lese-majesty against one of Germany’s most celebrated living writers. He subjected Jünger to a linguistic analysis clearly influenced by Wittgenstein’s methods, and the result was far more persuasive than the contemporary Marxist criticism, typified by Georg ...”

“... is obviously Laetitia Pilkington.’ Norma Clarke intends to vindicate both the author and her Memoirs (she pays tribute to A.C. Elias’s invaluable 1997 edition). Correcting the long-standing categorisation of Pilkington as a ‘scandalous memoirist’ (her story was advertised alongside Cleland’s Memoirs of a ...”

“... a paradise Sung with our fruited plains and spacious skies Praised with our purple mountains’ majesty ... ’ And so on till the air Filled with directors’ sobs. ‘We’re in,’ they cried, ‘we’re green, we really are.’ II High above town a first-growth wood Fanned out from a crease in the mountain Where waterfalls churned a mist like ...”

“... wonder; but to give Utterance to things inutterable, to paint, In dignity of language suitable The majesty of what I then beheld, Were past the power of man. No fabled Muse Could breathe into my soul such influence Of her seraphic nature, as to express Deeds inexpressible by loftiest rhyme. In these lines, Ricks finds ...”

“... In June​ 1616 the Virginian princess Pocahontas arrived in Plymouth and travelled to London. With her came her husband, the English tobacco planter John Rolfe, and several members of her Native American family. Done up in embroidered silks and Flemish lace, she enjoyed – if that’s the right word – the adulation of the crowds and an audience with James I ...”

“... expressive, like his drawing. But he soon adopts a defensive position, like a woman hiding her nakedness.’ Estrangements, the most painful those precipitated by the Dreyfus affair, marked his life. He was a conservative, acting according to ancient principle in a world which had forgotten honour and morality. He was a great attender at funerals and a ...”

“... Hospital for the psychologically bewildered or the just plain cross was a woman from Wales in her early twenties who had slowly been going blind since a gang of boys threw lime into her eyes when she was 15. She still saw light and shadow, so she knew if a person passed between ...”

“... Sunday afternoon​ was Beethoven time – torpor, majesty. Tired after cooking the lunch, but sweetly imploring, my father relished his captive audience. Mother and older brother had somehow slipped out of the sitting room, which left me and my sister, both musical, both too young to be free. My father stood by the coffin-like gramophone, a bulky inheritance from ailing Uncle Jimmy ...”

“... Before Anne Boleyn laid her head on the executioner’s block, she bent and wrapped the hem of her dress around her feet. She thereby ensured that, if in her death throes she were to spreadeagle her legs, the crowd would not see up her skirt ...”

“... Light continue the long, diffuse revenge plot that unifies the first two volumes of the trilogy. Her Thomas Cromwell is a loyal servant of Cardinal Wolsey. In Bring Up the Bodies he revenged himself on those who engineered his master’s fall by having them executed along with Anne Boleyn: ‘look at what Cromwell has wreaked, in two years, on Wolsey’s ...”

“... the 1920 Cheval Blanc ‘of the magnificence of the purple beech’; the 1870 Lafite ‘of the majesty of the Royal Oak’ . . . Mind you, the French have always been good at this sort of thing . . . A bit more down to earth were the late Louis Jadot’s last words on the subject: ‘There are four things to do when tasting a wine. First look at it and ...”