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“... ship. What could he better: six hundred pages of other men’s flowers, offering relief from what Henry James is supposed on his death-bed to have attributed his wearing-out to – ‘the labour of discrimination’? But the recent profusion does leave room to reflect that some anthologies are better than other anthologies, and that some subjects are ...”

“... think, breathes something of that ‘air of reality (solidity of specification)’ which seemed to Henry James ‘the supreme virtue of a novel – the merit on which all its other merits ... helplessly and submissively depend’. Unfortunately, that one – Pat Barker’s The Century’s Daughter – is also a consciously ‘working-class’ fiction ...”

“... Yet there are drawbacks. As a novel, it is far from wishing to woo us, or not to bore us. Like Henry James, almost, it seems too intent and majestically preoccupied with its conversational nuances to imagine that this could happen. That is impressive, just as it is in Henry James. There may be a slight overkill ...”

“... by Conrad and Ford Madox Ford, and aware also of the new rules of the game as promulgated by Henry James with his passion for ‘doing’. Bennett greatly admired Conrad, but decided against this kind of ‘doing’. The Old Wives’ Tale (1908) was almost contemporary with Nostromo, which he called ‘the finest novel of this generation’; but his ...”

“... fiction very easy after all that arduous tiling. He was writing at a time when such masters as Henry James, Conrad and Ford were agonising a lot about modern technique, but although he seems to have found the business of technique quite interesting – or rather, although he made a few knowing nods in that direction – what he really liked was to get ...”

“... success, academic honours and large royalty cheques. The heavy price which novelists since Henry James had had to pay for being labelled as experimental artists was, it seemed, no longer being exacted. Robert Coover, born in 1932, certainly has no reason to complain of neglect. ‘America’s most outrageous novelist presents a new, wildly comic ...”

“... James Thurber’s best-known cartoon has an impassive little man introducing his spouse to a dazed friend with ‘That’s My First Wife Up There, and This Is the Present Mrs Harris.’ The first Mrs Harris seems to be crouched on all fours on the top of a very high (glazed) bookcase, just behind the second Mrs Harris ...”

“... in squares and parks all over her erstwhile empire than with a portrait like Sargent’s of Henry James, which encourages you to look for evidence of personality in physiognomy. Iconic portraits by contrast are suitable memorials of reputation. That is what the boardroom and the college committee are after, even if they very rarely get it. The ...”

“... of animation on everything the poet saw and put into words. In a sense it was much the same for Henry James, that other great equivocator of the American literary scene, and always a great admirer of Whitman. James’s prose, even the late prose, is paradoxically as physical as Leaves of Grass, and in the same way. A ...”

“... seems more like a barrier against the rigours of their vocation, the kind of rigours that Henry James had in mind when he gave the dying writer his famous speech in ‘The Middle Years’: ‘We work in the dark – we do what we can – we give what we have. Our doubt is our passion and our passion is our task.’ Nunez dramatises the problem of ...”

“... one of these.’) In Aspects of the Novel (1927), Forster was similarly uncowed by the shadow of Henry James, taking swipes at James’s disciple Percy Lubbock and implying that it was silly to get hung up on doctrines of ‘economy and architecture’. You could arrange a story in the shape of an hourglass, as ...”

“... grumbling about the lighting of paintings in Venice for some time. These include John Ruskin and Henry James, who, Mamoli Zorzi writes, ‘fell in love with the paintings in San Rocco despite not being able to see them properly’. Ruskin wrote that the three halls in San Rocco were ‘so badly lighted, in consequence of the admirable arrangements of ...”

“... read in Oliver Twist was ‘the TRUTH!’ Even Tolstoy needed at times to make the same point. Henry James or George Eliot, on the other hand, never give the impression that the question could arise: the distinction was not part of their artistic outlook or method. But as a touchstone it is still very much around, and can take unexpected ...”

“... reflect that we have worse things to fear than banshees. But at the end of the last century M.R. James’s head lay easy, pillowed on Eton and King’s. In the introduction to this reissue, ‘Monty’s’ stories are made, by one of the Oxford Book editors, to look like a game which registers a displacement of the erotic. ‘Even the deepest friendship of ...”

“... Magician is a sort of companion volume to The Master (2004), Tóibín’s celebrated novel about Henry James, and a book similarly preoccupied by the thought that what might normally be construed as psychological damage can turn out to be just what a novelist needs. This is partly a matter of a similarly subterranean homosexual life that never realises ...”