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Genius in Its Pure State

Mark Ford, 22 May 1997

... hailed in a copy of La Poussière de soleils as a ‘modern Julius Caesar’ – Proust, Colette, Robert Desnos, Pierre Loti ‘dont on ne doit prononcer le nom qu’à genoux’), self-promoting publicity handouts, details of his extravagant theatrical ventures, press clippings describing his roulotte, a luxury caravan he had custom-built and of which he was ...

Stifled Truth

Wyatt Mason: Tobias Wolff and fictions of the self, 5 February 2004

Old School 
by Tobias Wolff.
Bloomsbury, 195 pp., £12.99, February 2004, 0 7475 6948 7
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... Most were written by established names, among them Frank Conroy, Stuart Dybeck, Richard Ford, Joyce Carol Oates, Robert Stone and Amy Tan. Those writers known partly for formal experimentation whose work Wolff did include (among them Lorrie Moore, Denis Johnson and Mary Robison) did not, in the stories Wolff ...

Diary

Max Hastings: Letters from the Front, 10 September 2015

... generation. ‘I saw more fighting,’ he wrote, than Siegfried Sassoon, or Edmund Blunden, or Robert Graves, far more than Liddell Hart, four or five times as much as Wilfred Owen, and I didn’t go home with a nervous breakdown. [But] I fear the damage is done, and the myth of the 1930s has prevailed … When I meet some clever young scholar from ...

Dis-Grace

Frank Kermode, 21 March 1996

In the Beauty of the Lilies 
by John Updike.
Hamish Hamilton, 512 pp., £16, April 1996, 0 241 13653 9
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... earlier than his, Clarence is undergoing a painful loss of faith, brought on by reading Robert Ingersoll’s Some Mistakes of Moses and other scornful and persuasive incitements to infidelity. His life is ruined, and Updike tells us, with characteristic thoroughness, why this was so and what it felt like. ‘Life’s sounds all rang with a curious ...

Lost in the Woods

Nicholas Penny: Victorian fairy painting, 1 January 1998

Victorian Fairy Painting 
edited by Jane Martineau.
Merrell, 200 pp., £25, November 1997, 1 85894 043 5
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... reappears transformed. The nudes who cavort in the black water and dance in the deep-violet sky in Robert Huskisson’s Come unto These Yellow Sands are among the most exquisite and sensuous in British art, combining the vitality of Fuseli’s libidinous acrobats with the pearly translucence and sheen of William Etty’s bottom-heavy models. Mid-19th-century ...

The Mouth, the Meal and the Book

Christopher Ricks, 8 November 1979

Field Work 
by Seamus Heaney.
Faber, 64 pp., £3, June 1979, 0 571 11433 4
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... the poems incite. This pacific art has learnt from the poet to whom Heaney offers here an elegy, Robert Lowell, but the effect is altogether different from Lowell’s Atlantic astonishments. But then Heaney’s trust in other poets is itself part of his art, as in the rueful comfort to be divined within the conclusive line: ‘Our island is full of ...

At the Movies

Michael Wood: ‘Five Easy Pieces’, 9 September 2010

Five Easy Pieces 
by Bob Raphelson.
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... seen by night and day, and amazing silhouettes of people, pumps and scaffolding. It’s as if John Ford had decided to start a western among the California oil rigs, and track his story up the West Coast to Puget Sound. The space around the people in this movie is so large and so unambiguously beautiful you have to wonder what story it is trying to tell. Is it ...

Destined to Disappear

Susan Pedersen: ‘Race Studies’, 20 October 2016

White World Order, Black Power Politics: The Birth of American International Relations 
by Robert Vitalis.
Cornell, 272 pp., $29.95, November 2015, 978 0 8014 5397 7
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... Robert Vitalis​ tells a great story about how he came to write this book. Some years ago, sitting in the Clark University library avoiding grading his students’ final exams, he pulled an old history of the university off the shelf. Clark played a key role in the birth of the field of international relations in the two decades before the First World War, he read, especially by founding and supporting one of the new discipline’s flagship journals, the Journal of Race Development ...

I gotta use words

Mark Ford: Eliot speaks in tongues, 11 August 2016

The Poems of T.S. Eliot: Volume I: Collected & Uncollected Poems 
edited by Christopher Ricks and Jim McCue.
Faber, 1311 pp., £40, November 2015, 978 0 571 23870 5
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The Poems of T.S. Eliot: Volume II: Practical Cats & Further Verses 
edited by Christopher Ricks and Jim McCue.
Faber, 667 pp., £40, November 2015, 978 0 571 23371 7
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... of Eliot’s complete prose have been released; the first volume of a two-volume biography by Robert Crawford has appeared, greatly increasing our knowledge of Eliot’s life up until the publication of The Waste Land; and to these is now added this utterly authoritative edition of the text of the poems, which restores a missing line to ‘The Hollow ...

Knives, Wounds, Bows

John Bayley, 2 April 1987

Randall Jarrell’s Letters 
edited by Mary Jarrell.
Faber, 540 pp., £25, January 1986, 0 571 13829 2
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The Complete Prose of Marianne Moore 
edited by Patricia Willis.
Faber, 723 pp., £30, January 1987, 0 571 14788 7
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... Barzun, R.P. Blackmur, Alfred Kazin, Lionel Trilling, Delmore Schwartz, Allen Tate, Kenneth Burke, Robert Fitzgerald, Leslie Fiedler and John Crowe Ransom – this last its founder as a school of literary criticism ‘to teach those who teach it’. Marianne Moore, in Brooklyn, had a quieter time, but was just as much in touch with them all through friends and ...
... of arms to the Iranians from 1985 onwards, of the ludicrously misconceived mission to Tehran by Robert McFarlane in May 1986, and of the use to which the profits of the sales were put, have been the subject of inquiries by the combined Senate and House Select Committee. The major questions were whether the President knew of the diversion of funds from the ...

Dancing Senator

Pat Rogers, 7 November 1985

Memoirs of King George II: Vols I, II and III 
by Horace Walpole, edited by John Brooke.
Yale, 248 pp., £65, June 1985, 0 300 03197 1
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... and don’t get anywhere within hailing distance of Jenkins Ear. The date is significant: Robert Walpole had died in 1745, and a year later his son’s arrested political development brings him back to the quarrels of a previous generation. Many people are liberated by the death of a dominant parent: Horace felt the full burden of his past only when ...

Comparative Horrors

Timothy Garton Ash: Delatology, 19 March 1998

Accusatory Practices: Denunciation in Modern European History, 1789-1989 
edited by Sheila Fitzpatrick and Robert Gellately.
Chicago, 231 pp., $27.95, September 1997, 0 226 25273 6
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... effects of denunciations. Unfortunately, her account lacks the imaginative and literary power of Robert Conquest’s The Great Terror. ‘In the Soviet case,’ she writes, in a fairly typical passage, ‘ “manipulative” denunciations should be considered part of a complex of informal mechanisms of citizen agency, including client-patron relations and ...

A Place for Hype

Edward Tenner: Old Technology, 10 May 2007

The Shock of the Old: Technology and Global History since 1900 
by David Edgerton.
Profile, 270 pp., £18.99, January 2007, 978 1 86197 296 5
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... may fail, but an overlooked one will not succeed. According to the Thomas Theorem popularised by Robert Merton: ‘If men define situations as real, they are real in their consequences.’ David Edgerton’s The Shock of the Old, with its ironic echoes of bestsellers by Robert Hughes and Alvin Toffler, is not an attack on ...

A Bit Like Gulliver

Stephanie Burt: Seamus Heaney’s Seamus Heaney, 11 June 2009

Stepping Stones: Interviews with Seamus Heaney 
by Dennis O’Driscoll.
Faber, 524 pp., £22.50, November 2008, 978 0 571 24252 8
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The Cambridge Companion to Seamus Heaney 
edited by Bernard O’Donoghue.
Cambridge, 239 pp., £45, December 2008, 978 0 521 54755 0
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... at the beginning.’ Daily life there ‘added up to one long steady protest’, with poets – Robert Duncan, Robert Bly, Gary Snyder – joining in: the engagé styles that repelled other American writers showed Heaney ‘what it meant to be American. There was a trust that things could be changed.’America meant ...

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