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Midwinter

J.B. Trapp, 17 November 1983

Thomas More: History and Providence 
by Alistair Fox.
Blackwell, 271 pp., £19.50, September 1982, 0 631 13094 2
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The Statesman and the Fanatic: Thomas Wolsey and Thomas More 
by Jasper Ridley.
Constable, 338 pp., £12.50, October 1982, 9780094634701
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English Reformation Literature: The Tudor Origins of the Protestant Tradition 
by John King.
Princeton, 539 pp., £30.70, December 1982, 0 691 06502 0
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Seven-Headed Luther: Essays in Commemoration of a Quincentenary, 1483-1983 
edited by Peter Newman Brooks.
Oxford, 325 pp., £22.50, July 1983, 0 19 826648 0
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The Complete Works of St Thomas More. Vol. VI: A Dialogue concerning Heresies. Part 1: The Text, Part 2: Introduction, Commentary, Appendices, Glossary, Index 
edited by T.M.C. Lawler, Germain Marc’hadour and Richard Marius.
Yale, 435 pp., £76, November 1981, 0 300 02211 5
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... from his Utopia. Even so, it had been Erasmus who had given him letters to friends such as Peter Giles, dedicatee of Utopia, in Antwerp and it was Erasmus who saw to the publication of Lucian, the epigrams and Utopia, bustling about to secure commendatory letters and so enhance them. Erasmus also coined and disseminated the description ‘a man for all ...

In Good Estate

Eamon Duffy, 2 January 1997

Westminster Abbey and the Plantagenets: Kingship and the Representation of Power 1200-1400 
by Paul Binski.
Yale, 241 pp., £45, May 1995, 0 300 05980 9
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... and absorbing book. The origins of the Abbey – to be precise, the Collegiate Church of St Peter in Westminster – are shrouded in uncertainty. A Saxon foundation on Thorney Island, the one dry spot in the fenland that once stretched from Chelsea to Battersea, the Abbey formed the West minster to St Paul’s East minster. The settlement which, under ...

Who Whips Whom

Leland de la Durantaye: Sade, 19 February 2015

Justine et autres romans 
by D.A.F. de Sade, edited by Michel Delon and Jean Deprun.
Gallimard, 1152 pp., €60, October 2014, 978 2 07 014669 7
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... Institut des lettres et manuscrits as part of an exhibition entitled Sade: Marquis de l’ombre, prince des Lumières (the last word of the punning title might be translated as either ‘light’ or ‘enlightenment’). The Musée d’Orsay, too, mounted a lavish exhibition inspired by Sade’s visions with a title – Attaquer le soleil – taken from The ...

Great Thoughts

E.S. Turner, 7 May 1981

The Macmillan Treasury of Relevant Quotations 
edited by Edward Murphy.
Macmillan, 658 pp., £3.95, August 1980, 0 333 30038 6
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... V. Prochnow Jr, with 65 entries by Prochnow senior; and in Quotations For Our Time, by Dr Laurence Peter (author of The Peter Principle), with 37 entries of his own. It’s not wholly a new conceit: even L. T. Hoyt, last century, was not so unjust to himself as to deny his own verses comparison with those of Tennyson and ...

Eye Contact

Peter Campbell: Anthony van Dyck, 16 September 1999

Anthony van Dyck 1599-1641 
by Christopher Brown and Hans Vlieghe.
Royal Academy, 360 pp., £22.50, May 1999, 9780847821969
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Anthony van Dyck: A Life, 1599-1641 
by Robin Blake.
Constable, 435 pp., £25, August 1999, 9780094797208
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... left little money, having, says Bellori, ‘spent everything on living magnificently, more like a prince than a painter’) included a wonderful collection of paintings – 17 by Titian alone, according to the inventory taken after his death; but there were doubless studio props and drapes as well. The Countess of Sussex was able to find compensation for the ...

What’s going on?

Peter Mair: The Netherlands, 14 December 2006

Murder in Amsterdam: The Death of Theo van Gogh and the Limits of Tolerance 
by Ian Buruma.
Atlantic, 278 pp., £12.99, October 2006, 1 84354 319 2
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... targeted in a number of Van Gogh’s columns in 2003 and 2004 because of her relationship with Prince Johan-Friso, the queen’s second son. Wisse Smit was bright, ambitious and attractive, while Johan-Friso was at best dull and worthy, but she also had what is known as a colourful past. She had once had an intimate relationship with a married Bosnian ...

Not to Be Read without Shuddering

Adam Smyth: The Atheist’s Bible, 20 February 2014

The Atheist’s Bible: The Most Dangerous Book That Never Existed 
by Georges Minois, translated by Lys Ann Weiss.
Chicago, 249 pp., £21, October 2012, 978 0 226 53029 1
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... Aretino (1492-1556), author of the risqué Sonetti Lussuriosi; Machiavelli (1469-1527), whose Prince outlines an instrumental conception of religion as a useful theatre for the new ruler that chimed with a sense of De tribus’s (non-existent) thesis; Michael Servetus (1511-53), burned at the stake; and Bernardino Ochino, author of Disputa intorno ...

The Last Intellectual

Rosemary Hill: The Queen Mother’s Letters, 6 December 2012

Counting One’s Blessings: The Selected Letters of Queen Elizabeth, the Queen Mother 
edited by William Shawcross.
Macmillan, 666 pp., £25, October 2012, 978 0 230 75496 6
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... the shortage of men as a lack of romance and took a slew of marriage proposals in her stride. Prince Albert, Duke of York was ‘quite a nice youth’ but he hardly stood out from the crowd. It seems to have been sheer determination that made Bertie, the stammering, nerve-racked and less than handsome second son of George V, persist in proposing to the ...

King Cling

Julian Bell: Kings and Collectors, 5 April 2018

Charles I: King and Collector 
Royal Academy, London, until 15 April 2018Show More
Charles II: Art and Power 
Queen’s Gallery/London, until 13 May 2018Show More
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... shepherd life.) But the ‘King and Collector’ of the exhibition title is perhaps best read as a prince who developed a taste for oils on canvas while visiting the Spanish Habsburg court in a failed bid to secure a wife and who, once crowned in 1625, had the impetus and opportunity to splurge. Cognoscenti and hustlers pushed through the gates that opened ...

Diary

Christopher Hitchens: Men (and Women) of the Year, 14 December 1995

... with several days’ notice) and then fall to, licking the same dish. It’s not, to quote Peter Cook in another connection, enough to keep the mind alive. Perhaps it’s a culture of this sort – simultaneously overfed and undernourished – that leads people into the ghastly habit of using familiar first names to describe celebrities they will never ...

A life, surely?

Jenny Diski: To Portobello on Angel Dust, 18 February 1999

The Ossie Clark Diaries 
edited by Henrietta Rous.
Bloomsbury, 402 pp., £20, October 1998, 0 7475 3901 4
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... it in Monte Carlo to Craigie Aitchison’s exhibition ... I immediately acquired a new admirer: Prince Rainier’s chamberlain, no less. He rang the gallery and asked, ‘Qui est cette fille délicieuse?’ and described the dress. Alors. Gradually, however, I found that, for myself at least, there was some point in puzzling over the diaries of Ossie ...

Poor Man’s Crime

Ian Gilmour, 5 December 1991

The London Hanged: Crime and Civil Society in the 18th Century 
by Peter Linebaugh.
Allen Lane, 484 pp., £25, September 1991, 0 7139 9045 7
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... under threat, but the historical certainties of Marxism lie undisturbed. ‘Broadly speaking,’ Peter Linebaugh tells us, ‘the English Revolution was a conflict among three social forces. The bourgeoisie, led by Oliver Cromwell and organised in Parliament, aroused the English proletariat to make war against Charles I, the High Church and the ...

Born to Network

Anthony Grafton, 22 August 1996

The Fortunes of ‘The Courtier’: The European Reception of Castiglione’s ‘Cortegiano’ 
by Peter Burke.
Polity, 209 pp., £39.50, October 1995, 0 7456 1150 8
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... later etiquette books reveal the same disjunction between form and function). Like Machiavelli’s Prince, which tells princes how to adapt to circumstances, and shows readers that few if any princes ever do change their methods to meet new situations, The Courtier resembles a handbook. Like The Prince it is anything ...

Living the Life

Andrew O’Hagan, 6 October 2016

Powerhouse: The Untold Story of Hollywood’s Creative Artists Agency 
by James Andrew Miller.
Custom House, 703 pp., £20, August 2016, 978 0 06 244137 9
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... problems, such as those endured on the last of the Pink Panther movies. The CAA agent had got Peter Sellers three million dollars to do the film. He got Blake Edwards, who hated Sellers, the same amount (not to direct, but because he co-owned the rights). The agent also represented the scriptwriter, the director, and two of the producers. ‘It was about ...

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