Make the music mute
John Barrell, 9 July 1992
“... It is an important and a depressing book, its importance more or less in direct proportion to the depth of the gloom it sheds. With luck we may one day look back on it as the last ‘English’ novel. It is the 1920s. Timothy Harcombe, the narrator, works with his father Clement, a faith-healer, at the Chemical Theatre in the City Road in London; his ... ”