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“... According to the magus John Dee, whose antiquarian researches captured the attention of the queen, Elizabeth had ‘title royal to all the coasts and islands beginning at or about Terra Florida, and so alongst, or near unto Atlantis [America], going northerly, and then to all the most northern islands great and small, and so compassing about ...”

“... experience. Such endeavours include Ephraim Chambers’s Cyclopaedia (1728), a work which Johnson drew on for the Dictionary, the French Encyclopédie, Gibbon’s Decline and Fall (1776), and the more specialised works studied by Lawrence Lipking in his important book, The Ordering of the Arts in 18th-Century England – Charles Burney’s History of ...”

“... to the work of a wide variety of literary theorists in the Seventies, many of whom, like Kaufmann, drew their inspiration from the work of Baudelaire, Flaubert, Mallarmé, Proust, Rilke, Artaud and Kafka. The exploration of the text’s non-referential dimensions, its rhetorical self-consumption, was at the heart of the theoretical revolution. But many of the ...”

“... confessional allegiance: Thomas Ken’s ‘White Paternoster’, a prayer to be said before bed, drew on a Catholic model but pruned it of saints, even though the bedchamber remained a place where Catholics and dissenters could follow their own practices in seclusion. Bedtime prayer was a necessary precaution in case of sudden death during the night, and ...”

“... and Europe before, during and after the Second World War has suggested that those movements drew their direct inspiration at least as much from the ‘positivist’ legacy of Comte (and his mentor Saint-Simon) as from the more obvious influences of either democratic socialism or Soviet-style Marxism. Some of the most prominent social planners of those ...”

“... Danish master Jørn Utzon; the inside by a confused committee, or, as the Australian critic Philip Drew sourly calls them, ‘a conspiracy of nobodies’. It is a bittersweet story, and one that goes far to explain why most modern architecture is so awful. Like Sydney, the Opera House was a British idea. Sir Eugene Goossens, the violinist and composer, arrived ...”

“... where he ran amok, insulting generals and riding the equestrian statues. His second marriage, to Elizabeth Hardwick, was essentially an enduring one, and her devotion and intelligence illuminate and support this biography. Other women promised a new leaf, and eventually there was the romance of a departure for England: ‘a new alliance’, as he put ...”

“... left for that purpose. There is a mother in Pride and Prejudice, but there are also two aunts: Elizabeth Bennet’s Aunt Gardiner and Mr Darcy’s aunt Lady Catherine de Bourgh. It is an aspect of Austen’s genius that, while the novel negates the power and influence of Elizabeth’s mother, neutralises her by being ...”

“... Kirk; here are the Nicholses, Beverley and Mike; and you must distinguish, if you will, between Elizabeth Taylors one (actress), two (novelist) and three (friend of Gladys Calthrop). Wilde, Wilder and Wilding mark the beginning of the end; the Duke and Duchess of Windsor make 22 appearances: and in a trickle of Zanucks, Zinkeisens and Zolotows, the torrent ...”

“... she saw a man whom she might save from his own flaws. If Byron was no Darcy, Annabella was no Elizabeth Bennet. In their courtship she was more of a Catherine Morland, naively in thrall to a fictional worldview and unable to see beyond it. If there was a literary parallel for the tortuous manipulations that surrounded the marriage it was Les Liaisons ...”

“... Parker was raped and stabbed but survived. Taken captive along with Rachel and her son James were Elizabeth Kellog and Silas Parker’s children John and Cynthia Ann. John grew up to be a Comanche warrior, perhaps ending his life as a rancher in Mexico; Elizabeth was ransomed; Cynthia Ann became the wife of the war leader ...”

“... as a gay man and rejected Macdonald’s advice to publish under a pseudonym. His admission drew much attention, and caused John Crowe Ransom to retract his acceptance of one of Duncan’s poems for the Kenyon Review. The essay was also notable for its earnest protest against the ‘cult of homosexual superiority’, a volley probably directed at the ...”

“... and temples, to give it a fresh start, a place of dignity in the pantheon of high art. She drew stylistic guidance for her new language of movement from stillness: the iconic figures circling Grecian urns, the zephyrs and graces in Botticelli, the volumetric musculatures in drawings by Blake. She pulled meaning out of repose – ‘what she gives us is ...”

“... in paradox, with both disputants adopting positions contrary to their convictions. Evelyn’s text drew on a stock repertoire of arguments against solitude, including solemn warnings against the low appetites it unleashed. ‘He ought to be a wise and good man indeed that dares trust himself alone: for Ambition and Malice, Lust and Superstition are in ...”

“... made the most of his circumstances (which were rarely quite as grand as he made out). When he once drew up a list of seven distractions that had prevented him from accomplishing more work, ‘money (business)’ was in seventh place, just below ‘travel’ in sixth. In ascending order, ‘politics (public career)’ came next (he had briefly been state ...”