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We were the Lambert boys

Paul Driver, 22 May 1986

The Lamberts: George, Constant and Kit 
by Andrew Motion.
Chatto, 388 pp., £13.95, April 1986, 0 7011 2731 7
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... Andrew Motion’s book is intended to portray a family’s rich self-destructiveness. He begins with Larkin’s famous quatrain: Man hands on misery to man.   It deepens like a coastal shelf. Get out as early as you can,   And don’t have any kids yourself. The Lamberts – painter George (1873-1930), composer-conductor Constant (1905-51), and manager of The Who, Kit (1935-81) – got out as early as they could, and of the two who had kids neither showed paternal enthusiasm or skill ...

Impossible Wishes

Michael Wood: Thomas Mann, 6 February 2003

The Cambridge Companion to Thomas Mann 
edited by Ritchie Robertson.
Cambridge, 257 pp., £45.50, November 2001, 9780521653107
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Thomas Mann: A Biography 
by Hermann Kurzke, translated by Leslie Willson.
Allen Lane, 582 pp., £30, January 2002, 0 7139 9500 9
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... only a writer of very High Modernist tendencies would take this remark as a compliment, but Thomas Mann certainly did, and it wasn’t even addressed to him. He found it in Harry Levin’s little book on Joyce, which he read in 1944. He was also much drawn to another sentence in the same work: ‘The best writing of our contemporaries is not an act of ...

Maybe he made it up

Terry Eagleton: Faking It, 6 June 2002

The Forger’s Shadow: How Forgery Changed the Course of Literature 
by Nick Groom.
Picador, 351 pp., £20, April 2002, 9780330374323
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... producing literary texts cunningly modelled on the work of some well-known author like Tennyson or Thomas Moore, which they then coolly claimed to be the lost original that the author had plagiarised. Maginn, who founded Fraser’s Magazine and died an alcoholic pauper, is said to have been familiar with Hebrew, Syriac, Sanskrit, Basque, Turkish, Assyrian and ...

Flat-Nose, Stocky and Beautugly

James Davidson: Greek Names, 23 September 2010

A Lexicon of Greek Personal Names. Vol. V.A Coastal Asia Minor: Pontos to Ionia 
edited by T. Corsten.
Oxford, 496 pp., £125, March 2010, 978 0 19 956743 0
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... John and the vast majority of the other men and boys around at the time were Joseph, James, Thomas or William. Around 1850, however, the repertoire of names in regular use began to increase rapidly. As Gothic-looking steeples rose around the country, so medieval-sounding names crowded around the font: Arthur, Walter, Harold and Neville, Ethel, Edith and ...

The Hagiography Factory

Thomas Meaney: Arthur Schlesinger Jr, 8 February 2018

Schlesinger: The Imperial Historian 
by Richard Aldous.
Norton, 486 pp., £23.99, November 2017, 978 0 393 24470 0
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... who profited from the existing order and those on whom its burden chiefly fell’. His book on Andrew Jackson tried to explain why he was not simply the champion of white frontiersmen (one reason his portrait is back up in the Trump White House), but, more important, fought on behalf of downtrodden men in the eastern cities against a National Bank that had ...

Venisti tandem

Denis Donoghue, 7 February 1985

Selected Poems 
by Tony Harrison.
Viking, 204 pp., £9.95, September 1984, 0 670 80040 6
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Palladas: Poems 
by Tony Harrison.
Anvil, 47 pp., £2.95, October 1984, 9780856461279
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Men and Women 
by Frederick Seidel.
Chatto, 70 pp., £4.95, October 1984, 0 7011 2868 2
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Dangerous play: Poems 1974-1984 
by Andrew Motion.
Salamander, 110 pp., £8.95, October 1984, 0 907540 56 2
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Mister Punch 
by David Harsent.
Oxford, 70 pp., £4.50, October 1984, 0 19 211966 4
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An Umbrella from Piccadilly 
by Jaroslav Seifert and Ewald Osers.
London Magazine Editions, 80 pp., £5, November 1984, 0 904388 75 1
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... Rome. And now Jerusalem is dust in the sun, His skies are blue. He’s coming, child, I come.’ Andrew Motion’s Dangerous Play consists of six poems from The Pleasure Steamers (1978), the poem Independence (1981), 16 poems from Secret Narratives (1983), and seven uncollected poems, including a long prose-passage, ‘Skating’, a memoir of his mother. The ...

Very Nasty

John Sutherland, 21 May 1987

VN: The Life and Art of Vladimir Nabokov 
by Andrew Field.
Macdonald, 417 pp., £14.95, April 1987, 0 356 14234 5
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... and Pale Fire’s Kinbote. It is clear that by giving consent to Field, Nabokov intended to do a Thomas Hardy: that is, write his life through a docile secretary. Indeed, he told Field as much: ‘I wanted to see the thing. The first biography, no matter what comes after, casts a certain shadow on the others.’ As events proved, Nabokov misjudged his ...

Pushy Times

David Solkin, 25 March 1993

The Great Age of British Watercolours 1750-1880 
by Andrew Wilton and Anne Lyles.
Prestel, 339 pp., £21.50, January 1993, 3 7913 1254 5
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... for Grand Tourists or other wealthy travellers to more exotic lands. In 1799, for example, when Thomas Girtin was nearing the height of his fame as a landscape ‘genius’, Lord Elgin offered him £30 a year to carry out a pictorial survey of Greek monuments in what was then Turkish territory; ‘and as lady Elgin possessed a taste for drawing’, a ...

Bebop

Andrew O’Hagan, 5 October 1995

Jack Kerouac: Selected Letters 1940-56 
edited by Ann Charters.
Viking, 629 pp., £25, August 1995, 0 670 84952 9
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... and broken. He wanted to make everything glow and be great, and following Whitman, Steinbeck, Thomas Wolfe and Fitzgerald, he may be the last of the traditional American literary frontiersmen, opening the Republic up to itself, and romancing the earth. Kerouac’s greatest childhood friend and hero was Sebastian Sampas. Ann Charters, in a nicely ...

Secession

Michael Wood, 23 March 1995

The Stone Raft 
by José Saramago, translated by Giovanni Pontiero.
Harvill, 263 pp., £15.99, November 1994, 0 00 271321 7
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... Lassie, we could do it without being suspected of trying for the popular touch; if we came across Thomas Aquinas, we wouldn’t have to pretend we found the thought in an old cookbook. This may sound utopian (or nightmarish: chacun son dégoût), but that is the point: the ease of unassorted reference, the sense of play continuing where seriousness would have ...

Back to the futuh

Robert Irwin, 1 August 1996

The Middle East: 2000 Years of History from the Birth of Christianity to the Present Day 
by Bernard Lewis.
Weidenfeld, 433 pp., £20, September 1995, 0 297 81345 5
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... work done by scholars in recent decades: Richard Bulliet on the economic importance of the camel, Andrew Watson on the role of the Arabs as introducers of new crops, Oleg Grabar on the Dome of the Rock, and so on. It is, however, a tribute to both the scope and depth of Lewis’s research in the past half-century that so much of the material he draws on is ...

Like Unruly Children in a Citizenship Class

John Barrell: A hero for Howard, 21 April 2005

The Laughter of Triumph: William Hone and the Fight for a Free Press 
by Ben Wilson.
Faber, 455 pp., £16.99, April 2005, 0 571 22470 9
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... centre of our school lives includes commissioning ‘the distinguished historian and biographer Andrew Roberts … to chair a panel of academics who will draw up a simple but clear list of key facts, personalities and dates which every child should be taught’. I wonder, disingenuously perhaps, if one of those ‘key personalities’ will be William ...

Bournemouth

Andrew O’Hagan: The Bournemouth Set, 21 May 2020

... rather memorably, wandering the hills, ‘each irradiating each’. He also knew John Stuart Mill, Thomas Carlyle and Benjamin Jowett, the master of Balliol, who – Taylor said, again memorably – was ‘nervous and still, deeply learned, a silent reservoir with a gleam’. Taylor’s daughter Una later wrote Guests and Memories: Annals of a Seaside ...

Subduing the jury

E.P. Thompson, 4 December 1986

... crime and legal practice. Perhaps the most ambitious attempt to present jury history as a whole is Thomas Andrew Green’s Verdict according to Conscience. The book is subtitled ‘Perspectives on the English Criminal Trial Jury, 1200-1800’. It sets out briskly and well in difficult Medieval terrain, begins to falter in the 17th century, and collapses ...

Karl Miller Remembered

Neal Ascherson, John Lanchester and Andrew O’Hagan, 23 October 2014

... writer’s style without losing the grain. A few weeks ago, we were discussing the poetry of Dylan Thomas. ‘Which of the poems do you like?’ he asked.‘The one about the fields.’‘“Do Not Go Gently Into Those Good Fields”?’‘Very funny.’‘Which one, then?’‘The one about the farm.’‘“Fern Hill,”’ he said. ‘Will you read it to ...

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