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“... Romantics. He read Cicero and Virgil, Gibbon and Congreve, Goethe and Nestroy, Machiavelli and Hobbes, Gerard Manley Hopkins and Thomas Hardy, Mikhail Sholokhov and T.E. Lawrence, Baudelaire and Rimbaud, F.R. and Q.D. Leavis, Elizabeth Bowen and Virginia Woolf – this is just a small sampling. Basically, he read his way ...”

“... this is freedom as power, action unimpeded, in particular, by other people. Some thinkers, such as Hobbes and, some of the time, John Stuart Mill, think that this is the conception of freedom, and that it contains all that one knows or needs to know about its value. But this is to identify the seed and the plant, or the rhythm and the dance; it does not get us ...”

“... don’t see why not.’ So while​ this is certainly a ‘literature of power’, in the terms of Thomas De Quincey, it is also ‘a literature of knowledge’. You either will or won’t recognise the references to Brueghel’s painting Dulle Griet, say, or Holbein’s Dance of Death, or Brecht’s 1940 radio play The Trial of Lucullus, or John Arthos’s ...”