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Boutique Faith

Jeremy Waldron: Against Free Speech, 20 July 2006

Courting the Abyss: Free Speech and the Liberal Tradition 
by John Durham Peters.
Chicago, 309 pp., £18.50, April 2005, 0 226 66274 8
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... Abyss, there is no evidence that Voltaire ever said any such thing. An English writer, Beatrice Hall, writing under a male pseudonym in 1906, suggested that Voltaire’s attitude to the burning of a book written by Helvétius might be summed up: ‘How abominably unjust to persecute a man for such an airy trifle as that! “I disapprove of what you say, but ...

Trickes of the Clergye

Alexandra Walsham: Atheistical Thoughts, 25 April 2024

Atheists and Atheism before the Enlightenment: The English and Scottish Experience 
by Michael Hunter.
Cambridge, 223 pp., £30, July 2023, 978 1 009 26877 6
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... He notes rather than tests Keith Thomas’s interlinked suggestions that some members of Tudor and Stuart society rarely went to church and that ‘the hold of organised religion … was never so complete as to leave no room for rival systems of belief.’ Little attention is paid to the opinions that landed humbler parishioners in the ecclesiastical courts ...

Boomerang

Sylvia Lawson, 18 February 1988

Australians: A Historical Library 
Fairfax, Syme and Weldon, AUS $695Show More
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... is ‘unlikely to penetrate average Australia’, dominated as it still is by racist mythologies. Stuart Macintyre, discussing the whole project, put it succinctly: ‘It’s not easy to do justice to the underdog in a volume with gold-blocked end-leaves.’The contradictions which cut between the printed substance and its packaging can also be traced, in a ...

What else actually is there?

Jenny Turner: On Gillian Rose, 7 November 2024

Love’s Work 
by Gillian Rose.
Penguin, 112 pp., £9.99, March, 978 0 241 94549 0
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Marxist Modernism: Introductory Lectures on Frankfurt School Critical Theory 
by Gillian Rose, edited by Robert Lucas Scott and James Gordon Finlayson.
Verso, 176 pp., £16.99, September, 978 1 80429 011 8
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... European Philosophy at Kingston University. (Gilroy too was Rose’s student before he moved to Stuart Hall in Birmingham. She was a ‘great’ teacher, he has said, and he followed her in dismissing the ‘ventriloquist structuralism’ that was in fashion at the time.)‘The Owl of Minerva has spread her wings,’ Rose wrote at the beginning of The ...

Consider the lions

Peter Campbell, 22 July 1993

The House of Gold 
by Richard Goy.
Cambridge, 304 pp., £60, January 1993, 0 521 40513 0
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The Palace of the Sun 
by Robert Berger.
Pennsylvania State, 232 pp., £55, April 1993, 0 271 00847 4
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... There have been active designers – Classicists like Adam, Goths like Pugin, Hellenists like Stuart and Modernists like Venturi, as well as historians (Ruskin, Pevsner, Banham) – who have had opinions on the future as well as the past of architecture. The emulating eye may be self-serving and envious, but it is also challenging and competitive. Goy and ...

Lennonism

David Widgery, 21 February 1985

John Winston Lennon. Vol. I: 1940-1966 
by Ray Coleman.
Sidgwick, 288 pp., £9.95, June 1984, 0 283 98942 4
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John Ono Lennon. Vol. II: 1967-1980 
by Ray Coleman.
Sidgwick, 344 pp., £9.95, November 1984, 0 283 99082 1
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John Lennon, Summer of 1980 
by Yoko Ono.
Chatto, 111 pp., £4.95, June 1984, 0 7011 3931 5
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... Theatre, where the classics were translated into Scouse, seedbed of poetry and stronghold of music hall as well as of the high culture of the Walker Gallery and the orchestras. Arthur Ballard, one of Lennon’s teachers at the art school, has rightly said that it took twenty years’ work to create the culture which produced John Lennon. A deeper study of this ...

I did not pan out

Christian Lorentzen: Sam Lipsyte, 6 June 2019

Hark 
by Sam Lipsyte.
Granta, 304 pp., £12.99, March 2019, 978 1 78378 321 2
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... Burke, who has recently lost his job at a university development office, and the ultra-rich Purdy Stuart, now a donor to the university, who could get him that job back. Once upon a time the two of them lived together in a collegiate bohemian squalor that masked their class differences. Milo aspired to be a painter but his ambitions never really passed beyond ...

Bardism

Tom Shippey: The Druids, 9 July 2009

Blood and Mistletoe: The History of the Druids in Britain 
by Ronald Hutton.
Yale, 491 pp., £30, May 2009, 978 0 300 14485 7
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... in which iconic images of Welshness were often created by English ironmasters’ wives. Augusta Hall introduced the female Welsh national dress to eisteddfods, established the triple-strung Italian harp as the Welsh national instrument and gave the Cardigan trickster Twm Sion Catti, sometimes known as the Welsh Robin Hood, a wider audience. Charlotte Guest ...

The road is still open

David Wootton: Turpin Hero?, 3 February 2005

Dick Turpin: The Myth of the English Highwayman 
by James Sharpe.
Profile, 258 pp., £8.99, January 2005, 1 86197 418 3
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... readers. Twenty-five years later, himself caught up in an illicit relationship with a woman, John Stuart Mill was to write On Liberty, in which he identified a new species of liberty: freedom from the tyranny of public opinion. Ainsworth’s Turpin was attractive to his readers because he embodied precisely this freedom. In contrast, the rest of the ...

Holy-Rowly-Powliness

Patrick Collinson: The Prayer Book, 4 January 2001

Common Worship: Services and Prayers for the Church of England 
Churchhouse, 864 pp., £15, December 2000, 9780715120002Show More
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... and all adversity. Was the restoration of Anglicanism the consequence of the restoration of the Stuart monarchy, or the reason for it? With the legal resurrection of the Prayer Book, it could no longer pretend to be wholly consensual. For ever afterwards, the Church of England would be established but it would not be the Church of the whole ...

No Law at All

Stephen Sedley: The Governor Eyre Affair, 2 November 2006

A Jurisprudence of Power: Victorian Empire and the Rule of Law 
by R.W. Kostal.
Oxford, 529 pp., £79.95, December 2005, 0 19 826076 8
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... and law in the Jamaica controversy. He is troubled by the verdict of historians such as Catherine Hall and Stefan Collini that the organised attempts to bring Eyre and others to justice had, in Hall’s words, absolutely no effect. I doubt whether this is the real issue. Practically everything that happens has some ...

Much of a Scramble

Francesca Wade: Ray Strachey, 23 January 2020

A Working Woman: The Remarkable Life of Ray Strachey 
by Jennifer Holmes.
Troubador, 392 pp., £20, February 2019, 978 1 78901 654 3
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... for the wider struggle; she writes approvingly of egalitarian marriages, such as that of John Stuart Mill and Harriet Taylor, but is less interested in – perhaps even a little suspicious of – women who were sexually free or who publicly challenged gender roles. She skates over the divisions in the movement, and rather than predict possible futures for ...

Diamonds on your collarbone

Anne Hollander, 10 September 1992

Martha: The Life and Work of Martha Graham 
by Agnes DeMille.
Hutchinson, 509 pp., £20, April 1992, 0 09 175219 1
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Blood Memory: An Autobiography 
by Martha Graham.
Macmillan, 279 pp., £20, March 1992, 0 333 57441 9
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... She avoided European themes, allowing herself only one or two disquisitions on Joan of Arc, Mary Stuart and the Brontes, staying usually with the strictly native or acknowledgedly universal brands of female identity. Notably, she also avoided explicit heroines from other cultural sources – no Navaho martyrs, no Hindu goddesses, no ancient Chinese ...

The History Boy

Alan Bennett: Exam-taking, 3 June 2004

... the early 1950s when tourism was not yet an option. I walked through King’s, past Clare, Trinity Hall and Caius and then through the back gate of Trinity and out into Trinity Great Court and thought that this was how all cities should be. Nothing disconcerted this wondering boy and I even managed to find the smell of old dinner that clung to the screens ...

Hanging Offence

David Sylvester, 21 October 1993

... is no sign here. Elsewhere, there is a group of three exquisite paintings of labelled objects by Stuart Davis, dating from 1921-4, but Davis, who died in 1964, was mainly notable for the later grand jazzy pictures, none of which are in the exhibition (the feel of popular culture rather than its iconography and language). The central question isn’t how many ...

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