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“... the writings of an unlikely set of predecessors: Edmund Burke, the eccentric Jeffersonians John Taylor of Caroline and John Randolph of Roanoke, Old School Presbyterian defenders of slavery, T.S. Eliot, Karl Marx, Karl Barth, Reinhold Niebuhr, the Nashville Agrarians and their latterday apostles, Richard Weaver and Melvin Bradford. Liberals thus find ...”

“... If Robert Lowell had not been a Lowell would he ever have had the confidence to write the poems he did? It is impossible to imagine the scion of a distinguished English family using that family now as a basis for poetic composition. But all Lowell’s poems are about being a Lowell, or rather, more specifically, about being this Lowell ...”

“... head that Clarissa scribbles and Molly Bloom muses. For many male novelists, like the Austrian Robert Musil, erotic self-metamorphosis becomes mystical, a kind of religious substitute. The sphinx has her mystery, but in the final and most subtle analysis it is that of having no secret at all. One of Musil’s most memorable passages, a kind of essay ...”

“... they stepped up into patronage and prudence and middle age. Beerbohm’s caricature of ‘Samuel Taylor Coleridge, Table-Talking’ shows the addict and sage slumped in a stupor at the head of the table, his hand vaguely stretched for a glass of port, while the statesmen huddled on both sides yawn or doze together, as prosperous as a pack of seals. And ...”

“... pasting of late. During the last century, he was canonised in one way or another by R.W. Chambers, Robert Bolt and the Catholic church. By contrast the More of Hilary Mantel’s Wolf Hall is a historically more credible heretic-burner bent on martyrdom. More’s self-flagellation and habitual wearing of a hair shirt now look less like the pure tokens of virtue ...”

“... England by Maurice Keen, a delightful collection of Rymes of Robin Hood by Barry Dobson and John Taylor, and a constructive reassessment of ‘the birth and setting of the ballads of Robin Hood’ by John Maddicott, have not only cast a flood of light on the origins and significance of the legend, but also materially extended knowledge of what it is just ...”

“... left. Best supporting actress, Da’Vine Joy Randolph in The Holdovers; best supporting actor, Robert Downey Jr in Oppenheimer; best actress, Emma Stone in Poor Things; best actor, Paul Giamatti in The Holdovers; best director, Christopher Nolan for Oppenheimer. Best Picture? The word was out before Christmas, it will be Oppenheimer. There’s your big ...”

“... heritage, history, culture, tradition, community – and nationality’. Similarly, Charles Taylor reminds Nussbaum that democracy requires a strong national identity on the part of its citizens, and Michael Walzer insists that his circle of allegiances (‘spheres of affection’) starts, not with the outermost periphery, but at the ‘centre’. In a ...”

“... a very unusual hour”, adding that it brought “a terror to living and writing”’. A.J.P. Taylor read the whole thing at least once a year, and ranked it as OUP’s greatest publication. Aficionados regularly recite Fowler on split infinitives, as if it were Monty Python on ex-parrots. And nearly seventy years after his death, letters for him still ...”

“... Virginia Woolf​ could be cruelly accurate in her assessments of people. On 24 April 1925 Robert Graves visited her unexpectedly and stayed too long. She described him as ‘a nice ingenuous rattle headed young man’, and declared ‘the poor boy is all emphasis protestation and pose.’ By 1925 Graves had good reason to be ‘rattle headed ...”

“... of Nations. But there was always a difficult undertow. Among de Valera’s greatest supporters was Robert Briscoe, a Jew who later became Lord Mayor of Dublin (as did his son Ben Briscoe), but he was never a minister in any Fianna Fáil government because of what Keogh calls ‘an undercurrent of hostility towards Jews in the country which even de Valera ...”

“... at a discount. And then I read a memorial interview with that old self-server and mass-murderer Robert McNamara. He recalled an occasion, quite early in the Lyndon Johnson presidency, when Jackie had come up to him at a reception in New York and beaten her fists on his chest, calling on him to stop the killing in Vietnam. Of course, one could object and say ...”

“... called them in 1814) all made the same move, whether from conviction, pragmatism, or both. Robert Southey, whose incendiary drama Wat Tyler (1794) had been too hot for even the most reckless publisher to touch at the height of the revolution panic, was now cheerfully knocking out loyal odes in his role as poet laureate. Southey was consistent, as ...”

“... with protecting his own turf. The writers he likes pose little or no threat – Elizabeth Taylor, Elizabeth Bowen, Anthony Powell: either safely senior or safely underrated by the mob. Philip Larkin used to exhibit the same tendency when asked to name his lineup: Barbara Pym, Stevie Smith, Betjeman. Larkin, of course, is the one contemporary to whom ...”

“... Bar BQ. Her new job is as ‘caregiver’ or ‘day-mummy’ to Duff, the adopted daughter of Taylor and Wylie, liberal New York achievers. The asexual, corporate-sounding names are spot-on for the Eighties. When death reappears at a hot-dog stall in Central Park, she splits to Iowa, where she is Jane to Bud Ripplemeyer’s Rochester, a day-and-night ...”