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“... first nights, she seldom fails to tell the producer or director how much she loathed the show. To Robert Evans, producer of Love Story, at the Royal Command Performance of the film: ‘Tony saw Love Story in New York. Hated it.’ When Dennis Main Wilson says, ‘Ma’am, I have the honour to produce a little show called Till Death Us Do Part,’ she cuts ...”

“... moment in a verbal contest, a gaudy, point scoring mockery against the serious-mindedness of Sir Robert Peel or, later, Gladstone. Byron’s is itinerant, physical, and (perhaps most distinctively) shuns the maternal and the doting for the anti-familial, for the generosity of pure sexual scandal. Disraeli, hermaphroditically gliding between his exotic ...”

“... millenarian preachers among them) that 1857 marked the centenary of the Battle of Plassey, when Robert Clive asserted East India Company ascendancy in Bengal. In the event, it was gun cartridges that set the mutiny off: they were greased, the sepoys believed, with a blend of cow and pig fat, which would defile both Hindus and Muslims when they bit the ends ...”

“... For example: Jean Renoir, Orson Welles, James Wong Howe, Dudley Nichols, Clifford Odets, Robert Rossen, John Garfield, Charlie Chaplin and Leo McCarey all attended a reception in July 1943 for the Soviet director and administrator Mikhail Kalatozov. At that time Russian and American propaganda methods dovetailed nicely, and everyone seemed to approve ...”

“... book editors made themselves great by ignoring this advice. The best of them – Maxwell Perkins, Robert Giroux, Joe Fox, Bennett Cerf – allowed many brilliant young things to roll about on their front lawns, and some days they even took a drink in the company of these writers, or let their dogs loose to lick their fidgety, callused hands. A sad ...”

“... dates. The first plans for the cemetery were drawn up in 1920 and finalised two years later by Sir Robert Lorimer, an architect inspired by the Arts and Crafts movement and Scottish baronial architecture – nostalgia to soothe the pain of modernity. Like most such cemeteries, it is overlooked by a Cross of Sacrifice – an elongated cross usually set on an ...”

“... Marchioness of Londonderry, refer not to her, but to Frances Anne, while Walter Long appears as Robert. The Chartwell Papers are continually cited for quotations which appear in full in the Randolph Churchill/Martin Gilbert companion volumes, or even in the main volumes themselves. This unhelpful practice has been made positively misleading, since, for a ...”

“... Woolton and Sir Michael Fraser is diminished by the extravagant encomia for Anthony Barber and Cecil Parkinson. We cannot yet write the history of post-Thatcherite Britain, but perhaps it is not too soon to start summarising the characteristics of its prehistory (roughly 55 BC to 1979). Lord Blake’s categories are a mainstream definition of the ...”

“... Something was supposed to stick, and stick it did thanks to the assiduous repetitions of Captain Robert Maxwell and his ‘Labour paper’. But the actual money, as Milne shows, cannot have and did not come from Libya. And the timing of its deployment and discovery was so exquisitely calibrated as to require the intervention of someone with knowledge gained ...”

“... obvious solution to anyone struggling to make a living out of writing. Scott Fitzgerald, Faulkner, Robert Benchley, Dorothy Parker, Nathanael West, all did their time on studio payrolls, and West and Fitzgerald in their respective last works, The Day of the Locust and The Last Tycoon, somehow succeeded in putting its ridiculous myths to serious ...”

“... inventively foul-mouthed, he hated Middle English, and he was quite good at impersonating David Cecil, or Cess-hole (though not so good as Amis, at whose relentless mimicries Larkin usually guffawed). Larkin also drank a lot – beer, mostly – and merciless derision appeared to be his social forte. He was indeed the sort of chap who knew exactly what you ...”

“... number with roses appliquéd at the bustline and scattered randomly over the flounced skirt. Cecil Beaton’s personal outfit for the 1925 revue All the Vogue, on the other hand, is a severely simple basic black high-neck jersey cocktail frock worn with a single choker of huge pearls, a lustrous lip job and a marcelled wig even more convincing than ...”

“... group identity. In the 1930s, that identity seemed to be incarnated in its purest form in Cecil Day-Lewis (as an author, he used only his initial, and for a while he experimented, driven by self-consciousness about class, with omitting the hyphen). Of the four, it was Day-Lewis who came closest to fulfilling the ancient bardic role of recording in ...”

“... the cognoscenti like a confederation of secret masters: Gerald Kersh, James Curtis, Mark Benney, Robert Westerby, Alexander Baron, John Lodwick, Jack Trevor Story. They have been struck from the canon, these technicians, these life-enhanced witnesses. They are noticed only by slumming journalists (who have built up their own collections of the stuff) or by ...”

“... public reaction to the book has centred too narrowly on its slighting references to ex-colleagues. Robert Harris’s furious depiction of it (in the Independent on Sunday) as spluttering with ‘rage, malice, contempt and hatred’ is probably the extreme case. The memoirs of other premiers, Harris notes, have shown saintly restraint towards erstwhile ...”