Search Results

Advanced Search

91 to 105 of 564 results

Sort by:

Filter by:

Contributors

Article Types

Authors

What! Not you too?

Richard Taws: I was Poil de carotte, 4 August 2022

Journal 1887-1910 
by Jules Renard, translated by Theo Cuffe.
Riverrun, 381 pp., £20, October 2020, 978 1 78747 559 5
Show More
Show More
... here means anything to me.’ As he leaves the museum he sees a blackbird, poised against a wall of green, which eclipses all the paintings he has seen. On paying a visit to Monet’s water lilies at Paul Durand-Ruel’s gallery, he has a ‘terrible urge to walk out’. He couldn’t stand Cézanne. In Vallotton’s work at the 1904 Salon d’Automne ...

Schadenfreude with Bite

Richard Seymour: Trolling, 15 December 2016

This Is Why We Can’t Have Nice Things: Mapping the Relationship between Online Trolling and Mainstream Culture 
by Whitney Phillips.
MIT, 256 pp., £10, September 2016, 978 0 262 52987 7
Show More
Gendertrolling: How Misogyny Went Viral 
by Karla Mantilla.
Praeger, 280 pp., £32, August 2015, 978 1 4408 3317 5
Show More
Bad Clowns 
by Benjamin Radford.
New Mexico, 188 pp., £12, February 2016, 978 0 8263 5666 6
Show More
Trolls: An Unnatural History 
by John Lindow.
Reaktion, 60 pp., £9.99, August 2015, 978 1 78023 565 3
Show More
Show More
... as Phillips puts it, is the ‘latrinalia’ of popular culture: the writing on the toilet wall. Trolls are also distinguished from their predecessors by seeming not to recognise any limits. Ridicule is an anti-social force: it tends to make people clam up and stop talking. So there is a point at which, if conversation and community are to ...

Performing Art

Rosalind Krauss: The Sanctification of Rebecca Horn, 12 November 1998

Rebecca Horn: The Glance of Infinity 
edited by Carl Haenlein.
Scalo, 400 pp., £47.50, January 1997, 3 931141 66 7
Show More
Show More
... On one wall of the gallery a fan of black feathers slowly parts in the centre and folds back like a bird on a perch stowing its wings. From the lower area of another wall, 11 black stiletto-heeled shoes project outwards in a sparse cluster, while high above them a mechanical device suddenly jerks two extended ladles upwards against two metal arms so that with each repeated spasm a clang directs the viewer’s attention to the great splatters of blue paint that have been thrown by the device, spraying not only the wall behind it but defiling the shoes and floor below ...

The man whose portrait they painted

Patrick Procktor, 12 July 1990

A Life with Food 
by Peter Langan and Brian Sewell.
Bloomsbury, 128 pp., £16.99, May 1990, 9780747502203
Show More
Show More
... was considerate enough when obliterating what he referred to as the ‘Ghost-Ship’ on the end wall to use a distemper which may be removed with water, as he afterwards confessed in the Times. The anchored white liner counted for more in his eyes than did the cycloramic unity of the series, which the unmasking of the ‘Riva degli Schiavoni’ would ...

Diary

Rose George: In the New Beirut, 23 January 2003

... Hotel; and the St George, a smallish building on the waterfront, was ‘the jewel of Beirut’. Richard and Liz once had a suite; Kim Philby came to stay. Dizzying deals were sealed over handshakes in the bar. Timothy Leary stayed here with some Black Panthers during his Middle Eastern study tour of revolutionary movements. The late Marquess of Aberdeen, as ...

The War on Tax

Corey Robin: Downgrading Obama, 25 August 2011

... drew on arguments the kings themselves had to make in order to raise taxes and fund their wars. As Richard Tuck has suggested, it may have been Charles himself who opened the door to democracy in England. Levying an ancient tax on coastal towns (ship money) to fund a naval expedition against the Dutch, the Crown made the claim that the people’s safety was ...

How was it for you?

David Blackbourn, 30 October 1997

Man Without a Face: The Memoirs of a Spymaster 
by Markus Wolf and Anne McElvoy.
Cape, 367 pp., £17.99, June 1997, 0 224 04498 2
Show More
The File: A Personal History 
by Timothy Garton Ash.
HarperCollins, 227 pp., £12.99, July 1997, 0 00 255823 8
Show More
Show More
... Directorate, and the man who ran it for almost 34 years was Markus Wolf. When the Berlin Wall fell, three years after his retirement in 1986, Wolf was courted by other intelligence services – West German, American, even Israeli – who hoped to exploit his vulnerable position. Instead he went to Moscow. Returning after the failed August coup of ...

The Conspiracists

Richard J. Evans: The Reichstag Fire, 8 May 2014

Burning the Reichstag: An Investigation into the Third Reich’s Enduring Mystery 
by Benjamin Carter Hett.
Oxford, 413 pp., £18.09, February 2014, 978 0 19 932232 9
Show More
Show More
... of two interviews with Hitler allegedly conducted in 1931 by a senior newspaper editor called Richard Breiting, and subsequently supposedly buried by him in a canister in his garden because he feared for his life should they be discovered. The interviews showed Hitler was making plans to burn the Reichstag two years before the event. ‘In my ...

The Paranoid Elite

Michael Wood: DeLillo, 22 April 2010

Point Omega 
by Don DeLillo.
Picador, 117 pp., £14.99, March 2010, 978 0 330 51238 1
Show More
Show More
... to paranoia. Not the paranoid style in American politics, to quote the title of a famous essay by Richard Hofstadter (how could anyone say farewell to a mode so lavishly on the rise?), but to the paranoid fictions that animated DeLillo’s own novels The Names (1982) and Libra (1988), and went all the way back to Pynchon’s V (1963) and The Crying of Lot 49 ...

The Crumbling of Camelot

Peter Riddell, 10 October 1991

Kennedy v. Khrushchev: The Crisis Years 1960-63 
by Michael Beschloss.
Faber, 816 pp., £18.50, August 1991, 0 571 16548 6
Show More
A Question of Character: A Life of John F. Kennedy 
by Thomas Reeves.
Bloomsbury, 510 pp., £19.99, August 1991, 0 7475 1029 6
Show More
Show More
... more devious and ruthless – and certainly more hypocritical – than either Lyndon Johnson or Richard Nixon. Both Reeves and Beschloss show the risks Kennedy took in his liaisons, which exposed him to blackmail, not least by his own FBI head, J. Edgar Hoover. During the Second World War Kennedy became involved with someone with Nazi sympathies, while as ...

Short Cuts

Rory Scothorne: Under New Management, 13 August 2020

... of state for communities and local government, tweeted a description of the multimillionaire Richard Desmond as a ‘puppet master’ (Desmond is Jewish), he was not sacked for the antisemitic trope; it was deemed sufficient that he deleted the tweet and apologised when asked to. Meanwhile, it appears that Corbynism’s excitable and often clumsy ...

At Dia:Beacon

Hal Foster: Fetishistic Minimalist, 5 June 2003

... the Warhol Museum in Pittsburgh. Both these spaces were industrial structures redesigned by Richard Gluckman, who is as much an architect of the Dia aesthetic – a Modernist transparency of structure rendered with a Minimalist sensitivity to space – as any of the artists.In 1994 Wright made way for Michael Govan, a protégé of Thomas Krens, the ...

Diary

Alan Bennett: What I did in 1990, 24 January 1991

... a policeman leaps from the car, and ignoring the open gate, vaults theatrically over the garden wall, shouting, ‘Here, we want you!’ and the young man is taken away without a struggle.The presence of seven cars, and at least twenty policemen not one of them with the sense just to walk up the street, makes me feel the young man deserved to get away with ...

Homage to the Provinces

Peter Campbell, 22 March 1990

Wright of Derby 
by Judy Egerton.
Tate Gallery, 294 pp., £25, February 1990, 1 85437 038 3
Show More
Show More
... is similar to the one Ingres put M. Bertin the banker in) would be used again in the portrait of Richard Arkwright. Miss Cracroft from the same year is a tumble of satin and lace; a veil blows from her shoulder and flowers garland her bosom, but despite the mobile stuffs her face is as still, her back as rigid, as Anne Bateman’s. The catalogue suggests ...

At the Royal Academy

Peter Campbell: Degas, 6 October 2011

... outlines, to an extreme position that is the essence of the dance step. Much of the catalogue by Richard Kendall (who also produced an excellent catalogue for the 1996 exhibition Degas: Beyond Impressionism) and Jill DeVonyar is about making images of things that happened too fast to be recorded by the most attentive eye or quickest hand. But the exhibition ...

Read anywhere with the London Review of Books app, available now from the App Store for Apple devices, Google Play for Android devices and Amazon for your Kindle Fire.

Sign up to our newsletter

For highlights from the latest issue, our archive and the blog, as well as news, events and exclusive promotions.

Newsletter Preferences