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All change. This train is cancelled

Iain Sinclair: The Dome, 13 May 1999

... Chichester, visits by Samuel Pepys, location work for the latest Jane Austen or for Harrison Ford (more bombs) in Patriot Games – are trumpeted, while the dark history of the Greenwich marshes, a decayed industrial wilderness, is brutally elided. The tongue of poisoned land, a couple of miles to the east of the Royal Naval College (film set, banqueting ...

Lost in the Woods

Nicholas Penny: Victorian fairy painting, 1 January 1998

Victorian Fairy Painting 
edited by Jane Martineau.
Merrell, 200 pp., £25, November 1997, 1 85894 043 5
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... were the essential settings for so many pantomimes and ballets. The key figures in the 1840s – Richard Dadd, Joseph Noël Paton and Daniel Maclise – were not merely concerned to delight. They contaminated their sweet melodies with grotesque comedy, transformed the domestic and familiar – the bird’s nest and the woodland glade – into the furniture ...

Apoplectic Gristle

David Trotter: Wyndham Lewis, 25 January 2001

Some Sort of Genius: A Life of Wyndham Lewis 
by Paul O'Keeffe.
Cape, 697 pp., £25, October 2001, 0 224 03102 3
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Wyndham Lewis: Painter and Writer 
by Paul Edwards.
Yale, 583 pp., £40, August 2000, 0 300 08209 6
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... time in France with one of the people who was to contribute generously to the fund, the painter Richard Wyndham. Sitting outside a café in Toulon, he told Wyndham that he was a ‘Narcissus’ and probably a ‘bugger’. People, Wyndham remembered him saying, are only friends insofar as they are of use to you. Lewis, it seems, did not so much bite the ...

A.E. Housman and Biography

Hugh Lloyd-Jones, 22 November 1979

A.E. Housman 
by Richard Perceval Graves.
Routledge, 304 pp., £9.75
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... There is, as Richard Graves points out, no general biography of Housman. The books about him by Laurence Housman, Grant Richards and Percy Withers are valuable, because these men knew Housman and could describe him: but they are not biographies. George Watson’s A.E. Housman: A Divided Life is more like one, but it is not quite one; of Norman Marlow and Maude Hawkins I say nothing ...

Fifty Years On

Richard Wollheim, 23 June 1994

... never suspected; or, down to the right, of a deep river valley which the leading sections had to ford. One warm summer evening with lengthening shadows, I accompanied my brigadier on a trip to find out how the land really lay. We parked our cars in a large field, surrounded by tall shaggy trees, and familiar from an earlier visit. A soldier with a Bren gun ...

Root Books

Julie Davidson, 7 November 1985

Henry Root’s A-Z of Women 
by William Donaldson.
Weidenfeld, 180 pp., £7.95, July 1985, 0 297 78593 1
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... to wobble somewhat as to the chops.)’ To this and other tips and observations the long-suffering Richard Ryder replied, poker-penned: ‘The contents of your correspondence have been carefully noted,’ and – doubts obviously stirring – returned Henry’s usual enclosure of £1 ‘with best wishes as always’. The Further Letters of Henry Root, in other ...

Diary

Ian Hamilton: Sport Poetry, 23 January 1986

... Hunt’s credentials must be questioned, since seven of her based-ons spill from the pen of F.M. Ford, an author who was compulsive in his need to turn friends into fiction. Ford’s labours, for example, hoist the unlikely figure of Arthur Marwood into joint fourth place with Nancy Cunard, which doesn’t seem quite ...

Mockney Rebels

Thomas Jones: Lindsay Anderson, 20 July 2000

Mainly about Lindsay Anderson 
by Gavin Lambert.
Faber, 302 pp., £18.99, May 2000, 0 571 17775 1
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... 1950s (Every Day except Christmas, for example, about Covent Garden market, was paid for by the Ford Motor Company, who stipulated that Anderson wasn’t to show any General Motors lorries), the tension between working for the establishment and resisting it is always present in Anderson’s work; and Anderson himself exemplifies that tension. He was born in ...

Will to Literature

David Trotter: Modernism plc, 13 May 1999

Institutions of Modernism: Literary Elites and Public Culture 
by Lawrence Rainey.
Yale, 227 pp., £16.95, January 1999, 0 300 07050 0
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Modernism, Technology and the Body: A Cultural Study 
by Tim Armstrong.
Cambridge, 309 pp., £14.95, March 1998, 0 521 59997 0
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Body Ascendant: Modernism and the Physical Imperative 
by Harold Segel.
Johns Hopkins, 282 pp., £30, September 1998, 0 8018 5821 6
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Solid Objects: Modernism and the Test of Production 
by Douglas Mao.
Princeton, 308 pp., £32.50, November 1998, 0 691 05926 8
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... 1899, the novel had become a universally valid form, ‘the book par excellence’; according to Ford Madox Ford, in 1930, it was still indispensable, ‘the only source to which you can turn to ascertain how your fellows spend their entire lives’. And yet in the interim a feeling had arisen that the imaginary worlds ...

Belgravia Cockney

Christopher Tayler: On being a le Carré bore, 25 January 2007

The Mission Song 
by John le Carré.
Hodder, 339 pp., £17.99, September 2006, 9780340921968
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... starring Alec Guinness, or Martin Ritt’s version of The Spy who Came in from the Cold with Richard Burton, it’s possible to persuade yourself that le Carré might even be the greatest English novelist alive. Unfortunately, looking at his other books the next morning makes this seem less likely, in part because the classic phase of his career ended ...

Mr Who He?

Stephen Orgel: Shakespeare’s Poems, 8 August 2002

The Complete Sonnets and Poems 
by William Shakespeare, edited by Colin Burrow.
Oxford, 750 pp., £65, February 2002, 9780198184317
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... in six editions during his life, and in two more by 1640. The most popular of the plays were Richard III and Richard II, each of which went through five editions before 1616. Romeo and Juliet went through four; Hamlet appeared in three. For readers since the 18th century, the narrative poems have been at best marginal ...

Killing Stripes

Christopher Turner: Suits, 1 June 2017

Sex and Suits: The Evolution of Modern Dress 
by Anne Hollander.
Bloomsbury, reissue, 158 pp., £19.99, August 2016, 978 1 4742 5065 8
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The Suit: Form, Function and Style 
by Christopher Breward.
Reaktion, 240 pp., £18, May 2016, 978 1 78023 523 3
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... achieved by removing the structure of the suit to create a soft, sloping fit, as modelled by Richard Gere in Paul Schrader’s American Gigolo (1980) – a look much emulated in the City and on Wall Street. Fashion, Breward emphasises, is always provocative, endlessly recycling the aesthetic challenges of the fringe into mainstream culture. Paul Smith ...

Diary

Geoffrey Hawthorn: Tribute to Ayrton Senna , 9 June 1994

... more at the end of last years’ season. But the engines in at least three of the others, Benetton-Ford, Ferrari and what is now McLaren-Peugeot, had been catching up. And Benetton had Michael Schumacher, ten years younger and the one driver whose talent was now close to Senna’s own. Senna was openly anxious at the start of the year. He went out of the first ...
... and a handful of scholarly articles in historical periodicals, with most of his work, notably the Ford Lectures on The Nobility of Later Medieval England published after his death. However, through his teaching and lecturing and the supervision of a large number of graduate students who then went on to greater things, he was undoubtedly the leading medieval ...
Stalin’s Spy: Richard Sorge and the Tokyo Espionage Ring 
by Robert Whymant.
Tauris, 368 pp., £25, October 1996, 1 86064 044 3
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... When Richard Sorge was hanged in Sugamo prison in Tokyo, on 7 November 1944, I was still a student and I regret that I never had occasion to take a drink or three with that wit, charmer, womaniser, tosspot, home-wrecker, author, journalist and master Soviet agent. I had better luck with my friend Kim Philby, Sorge’s only serious rival (that we know of) for the title Spy of the Century ...

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