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“... Added Attraction’, and for Sinatra this particular gig was a pretty big deal. As Donald Clarke puts it in All or Nothing at All: A Life of Frank Sinatra (1997), the Paramount Theatre was ‘one of the shrines of the Swing era’. And so, on 30 December 1942, Sinatra was brought onstage, in an almost desultory way, by Benny Goodman. ‘And now, Frank ...”

“... Peter Hennessy has chosen for the dust jacket of Never Again a picture that exactly captures the mood of 1945. A returning British serviceman is being welcomed home by his wife and small son. ‘Home’ is a pre-fab, decked for the occasion with Union Jacks. The wife is wearing a neat, knee-length utility-model dress ...”

“... the Arms of Death’: She finds within his touch a lover Kinder than any man could be. Gillian Clarke’s voice is easily recognised. She is as secure among her themes as Seamus Heaney is: similar themes, too – weather and weathering, water-divining, children, waterfalls, skulls, curlews, calving, scything, fallen plums, falling shadows. Like ...”

“... Penny takes on Downton, and Knight’s activities as a collector and judge of ancient art; Michael Clarke assesses him as a connoisseur of paintings and drawings; Claudia Stumpf deals with the ‘Expedition into Sicily’ and Peter Funnell with the more general critical writings: A Discourse on the Worship of Priapus, An ...”

“... ideas, although most other leading Nazis treated them with disdain.* In 1985 Nicholas Goodrick-Clarke drew attention in The Occult Roots of Nazism to the ideas of Ariosophy, pioneered before the First World War by the Austrian racist Lanz von Liebenfels, as well as to the doctrines of Guido von List, another Austrian esotericist. These men and their ...”

“... second time I saw him must have been a few years later at the Mermaid Theatre at a performance of Peter Luke’s play Hadrian VII with Alec McCowen. Then it was his characteristic walk that I noticed: he tripped down the aisle after the designer, Gladys Calthrop, his hands, fingers pressed together, half slipped into his trouser pockets ...”

“... technology: less 2000 than 2001. The first plate shows ‘Analyst/Programmer Peter James at work on the British Library Online Catalogue’. Peter James’s head is cropped to give a central prominence to his hands on the keyboard and the all-important screen which displays ...”

“... and that bin Laden had joined them. The CIA called for an attack on their encampment until Richard Clarke, Clinton’s counter-terrorism aide, discovered that among the hosts of the gathering was royalty from the United Arab Emirates. Clarke had been instrumental in a 1998 deal to sell 80 F-16 military jets to the UAE, which ...”

“... text for evidence of the state of Secular Minster Churches and Borough towns respectively. Howard Clarke, on the Domesday ‘satellites’, follows up Galbraith and presents a concise list of the MSS which contain the texts of the Domesday Book family of documents. Sally Harvey writes an essay on the term ‘ploughland’ which is an interesting study of the ...”

“... a manner strikingly reminiscent of the end of If ... The movie is riddled with intertextual jokes: Peter Jeffrey, who plays the headmaster in If ..., is a prison governor; teetering on a windowsill in a failed attempt to talk a working-class woman (Rachel Roberts) out of committing suicide, Travis reads her a poem by Adam Lindsay Gordon, Cheltenham College’s ...”

“... Terribly strange. Then finally of course it turned out he wasn’t H. Green at all. His name was Peter Wilson. I was quite put out. In 1960, when he sends the Kennedys a congratulatory telegram, he gets a reply from Jackie, ‘who said that at first they thought it was from Harry Truman until they realised a) Harry wasn’t in Switzerland and b) wouldn’t ...”

“... as in Eisenhower’s America, but dull nonetheless, not to mention smug. It is not surprising that Peter Hennessy should call his monumental history Having It So Good, nor that Dominic Sandbrook should call his equally monumental recent history of the late 1950s and early 1960s Never Had It So Good. This neatly illustrates the drawback of ...”

“... There wasn’t anything inevitable about David Cameron’s rise. If Kenneth Clarke had stirred himself into running something like a campaign when competing for the leadership with Iain Duncan Smith and been ready to appear more tractable on Europe; if David Davis had moved decisively in the immediate aftermath of Michael Howard’s resignation or been a more fluent speaker; if Howard had offered Cameron the shadow chancellorship or George Osborne had not accepted it – if these or any number of other contingencies had been otherwise, Cameron might not have become leader ...”

“... Rumens, Medbh McGuckian, Penelope Shuttle and others. Geoffrey Hill, Dannie Abse, Denise Levertov, Peter Red-grove, U.A. Fanthorpe, Gillian Clarke, Eiléan Ní Chuilleanáin, Elaine Feinstein are all variously represented, opening out the Sixties, Seventies and Eighties as a time of diversity and imaginative enterprise. One ...”

“... the most famous of which are The Changes (1975), an apocalyptic children’s series adapted from Peter Dickinson’s novels; Children of the Stones (1977), another children’s series about a secret pagan society embedded within an isolated village; The Stone Tape (1972), a Nigel Kneale-scripted story about a building whose very fabric retains sinister ...”