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“... Elif Batuman, Edna Bonhomme, Hazel V. Carby, Linda Colley, Meehan Crist, Anne Enright, Lorna Finlayson, Lisa Hallgarten and Jayne Kavanagh, Sophie Lewis, Maureen N. McLane, Erin Maglaque, Gazelle Mba, Azadeh Moaveni, Toril Moi, Joanne O’Leary, Niela Orr, Lauren Oyler, Susan Pedersen, Jacqueline Rose, Madeleine Schwartz, Arianne Shahvisi, Sophie Smith, Rebecca Solnit, Alice Spawls, Amia Srinivasan, Chaohua Wang, Marina Warner, Bee Wilson, Emily Witt Elif BatumanWhen​ Roe v ...”

“... African allies – fictional relations of those that had caused such resentment in Germany when France occupied the Ruhr – wait in the countryside to rape and slaughter the fleeing Londoners. In Neil Bell’s Valiant Clay (1934), the entire world is lost in a gas attack that opens with a German attack on Poland. In Macilraith and Connolly’s Invasion ...”

“... in Patriots, the convoy ‘got a muted reception when it parked in the ruins of Berlin’. In France, the bus crews were treated to mayoral banquets, only for their leader to complain about the ‘strange dishes’ which weren’t ‘up to English standards’. Frank Forsdick and his men asked for ‘a bit of old English roast beef or a plate of fish and ...”

“... in order to make them exist?’ This seems to be the old philosophical problem of the bald king of France, and surely represents one of the lures of language rather than a fact about it. For some reason we long to believe that the possession of a name confers existence on a thing, when everything we know about language and lying ought to prompt ...”

“... is not Nato’s enemy, but Nato’s alibi; if Russia had not existed, then Britain and France would have had to invent it as an excuse for their cowardice and indecision.’ But Tory diplomacy on Bosnia had precedents: Hurd and Rifkind seem to have imagined themselves as realpolitiker descendants of the consummate Disraeli faced by a posse of minor ...”

“... Chalfant said, was to offer a non-violent way of opposing the occupation. James Nicola and Linda Chapman, the heads of the New York Theatre Workshop, were excited by Juliano, and became sponsors of the Freedom Theatre. Nicola was impressed that ‘Juliano’s definition of freedom was much bigger than freedom from occupation’, embracing women’s ...”