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“... The volumes of the British Literary Magazines series (three out of four of which have now been published) are primarily works of ready reference. Alphabetically arranged within historical period, entries supply brief profiles of around four hundred ‘representative’ journals, together with some bare-bones factual data. The coverage is wider (but less full) than the 48 titles covered by the Wellesley Index to Victorian Periodicals; less wide (but fuller) than the Waterloo Directory of Victorian Periodicals which heroically aims (one day) to bring all the age’s thirty thousand journals under bibliographic control ...”

“... Future historians looking back at the Rodney King insurrection in South Central Los Angeles will not see (or not just see) another in the line of racial explosions which go back through Watts, the Zoot Suit riots, to the ‘Yellow Peril’ pogroms of the early 20th century. What distinguishes this particular affray by (and against) a Californian ethnic minority is that it was the first such to be entirely and comprehensively covered by television ...”

“... More did mean worse – although not quite in the way Kingsley Amis feared. He and his Black Paper colleagues misjudged what would happen to ‘standards’ after the expansionist Robbins Report. The British university product – the education of undergraduates and scholarly research – has never been better than it now is, nor its international reputation higher ...”

“... South Lake Avenue in Pasadena, a few hundred yards from where I’m sitting, is named for the now dried up stream that once ran from the San Gabriel mountains to the Los Angeles basin. It was always a handsome thoroughfare, and the city invested tens of millions in the late 1970s to make it into Pasadena’s own Rodeo Drive. The investment didn’t entirely pay off: South Lake still looks like a big, over-invested-in street in a small western American town ...”

“... a powerful comic novelist. Kington Aimes must look to his laurels. The circumstances surrounding John Kennedy Toole’s fictions are as pure American Gothic as even Flannery O’Connor could devise. Without any of his friends suspecting he had authorial ambitions, Toole wrote A Confederacy of Dunces in the early Sixties, while doing his national service in ...”

“... like Joseph Heller and publish a novel every seven years or so, or a “brilliant” writer like John Gardner and write obscure books for bright academics who eat macrobiotic foods and drive old Saabs with faded but still legible GENE McCARTHY FOR PRESIDENT stickers on the rear bumpers.’ Instead of which he is the ‘King of Horror’ who had his face on ...”

“... in an area known as New Town or Mile End, just on the outskirts of Portsmouth where his father, John Dickens, worked in the Naval Pay Office. His mother, Elizabeth, is reported to have claimed that she went to a ball on the night before his birth; but no ball is mentioned in the area for that particular evening and it is likely that this is one of the many ...”

“... The George Eliot entry does not mention her brother Isaac, Charles Bray, Charles Hennell or John Chapman. Lewes gets just eight words (‘a married man unable to divorce his wife’). Sartre similarly gets no more than a dismissive sentence in the de Beauvoir entry. Beauvoir’s book on her mother’s death is cited, but not Adieux, her farewell to ...”

“... and the latest drug culture. It was to cocaine (the snuffed, not the smoked variety) what John Barleycorn was to booze, what Naked Lunch was to heroin and what Dog Soldiers was to hallucinogens. Anyone who read Bright Lights, Big City could feel an expert on the modish drug of choice, even if he had never put anything stronger than Friar’s Balsam up ...”

“... correspondence. But most of it has disappeared. The collected letters are excellently edited by N. John Hall, but they run only to a couple of volumes. Dickens, by contrast, looks like amassing 15 or so fatter volumes in the Pilgrim edition. George Eliot’s eight volumes and Thackeray’s four (soon to be supplemented) all outweigh Trollope. There is a ...”

“... According to Gordon Ray, writing in 1956, all that posterity could reasonably expect to know about the elusive Wilkie Collins was his name and dates of birth and death. This has proved to be an exaggeration. Thanks to Kenneth Robinson (whose revised Wilkie Collins, A Biography came out in 1974) and now, preeminently, to William Clarke, we now know much more – especially about Collins’s family affairs, or scandals, as they would have seemed to his contemporaries ...”

“... Michael Moorcock’s novel honours the loonies of London. It seems there are more of them every year, especially since – by one of the more perverse acts of enlightenment – the asylums were emptied in the Seventies. One sees the London mad everywhere in the streets and parks: ranters, mutterers, arm-wavers. The quieter cases are charitably allowed into the public bars of seedy pubs; I once saw one huddled over his light ale with an antique mahogany-cased ECT apparatus perched beside him ...”

“... In the week beginning 7 September, a member of the White House security staff – who else could it have been? – sent Matt Drudge, cyber muckraker, a CCTV clip, ‘on condition that its origin and owner not be disclosed’. The tape showed the President returning from his morning jog in August 1993 accompanied by a troupe of bodyguards and young staffers ...”

“... A prefatory note testifies that Empire of the Sun draws on its author’s observations as a young boy swept up by the Japanese capture of Shanghai, and his subsequent internment in Lunghua airfield camp, outside the city. James Ballard’s narrative, pitched ambiguously between autobiography and fiction, records the lost childhood of a lad variously nicknamed Jim and Jamie ...”

“... The plural title of Life Stories is paradoxical. The short story – Barker’s preferred literary form – cannot comprehend anything as large as life. In the face of this paradox, she has devised a new kind of cycle. Instead of the traditional bonding of carried-over place or character, Barker has abstracted items from various stages of her writing career, beginning with the opening piece in her first collection, Innocents (1947 ...”