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Christopher Ricks, 17 June 1982

From the Land of Shadows 
by Clive James.
Cape, 294 pp., £7.95, April 1982, 0 224 02021 8
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... to crack wise.’ He insists on being burly, reassuringly low-faluting: ‘everybody’s favourite Dante pin-ups’, or ‘It is hard to see why V. Nazarenko should have got his highly orthodox knickers in such a twist.’ He tilts at dons, with all the rounded audacity that names no names: ‘coldly able young academics who behave as if the arts, like their ...

At the British Museum

Mary Wellesley: ‘Feminine Power’, 22 September 2022

... what Bahrām-Gušnasp would have made of the image.Lilith also fascinated the Pre-Raphaelites. In Dante Gabriel Rossetti’s Lady Lilith, she is an auburn-haired beauty admiring her image in a mirror, surrounded by roses and poppies. Rossetti wrote a sonnet to accompany the painting, where she is the ‘witch he [Adam] loved before the gift of ...

A Dream in the Presence of Reason

Clive James, 15 October 1981

L’opera in versi 
by Eugenio Montale, edited by Rosanna Bettarini and Gianfranco Contini.
Einaudi, 1225 pp., £26.15
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Xenia and Motets 
by Eugenio Montale, translated by Kate Hughes.
Agenda, 45 pp., £3, December 1980, 0 902400 25 8
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The Man I Pretend to Be: The Colloquies and Selected Poems of Guido Gozzano 
edited by Michael Palma.
Princeton, 254 pp., £9.30, July 1981, 0 691 06467 9
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... to the great poets of the past. In his central book, Varianti e altra linguistica, the essays on Dante and Petrarch – essays which for their combination of learning and penetration excel even those of his master, Ernst Robert Curtius – there is nothing said which he was not equally ready to say, mutatis mutandis, about Montale. He studied the poetry of ...

I gotta use words

Mark Ford: Eliot speaks in tongues, 11 August 2016

The Poems of T.S. Eliot: Volume I: Collected & Uncollected Poems 
edited by Christopher Ricks and Jim McCue.
Faber, 1311 pp., £40, November 2015, 978 0 571 23870 5
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The Poems of T.S. Eliot: Volume II: Practical Cats & Further Verses 
edited by Christopher Ricks and Jim McCue.
Faber, 667 pp., £40, November 2015, 978 0 571 23371 7
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... his poems and the words used by other writers, both famous and obscure, in texts that range from Dante’s Divine Comedy to an anonymous scribe’s record of the Acts and Resolutions of the 29th General Assembly of Iowa (1902). The lines of Eliot’s that most often occurred to me as I worked my way through these thousand or so pages of commentary (set in ...

Voice of America

Tony Tanner, 23 September 1993

Was Huck Black? Mark Twain and African-American Voices 
by Shelley Fishkin.
Oxford, 270 pp., £17.50, June 1993, 0 19 508214 1
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Black Legacy: America’s Hidden Heritage 
by William Piersen.
Massachusetts, 264 pp., £36, August 1993, 9780870238543
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Black and White Strangers: Race and American Literary Realism 
by Kenneth Warren.
Chicago, 178 pp., £21.95, August 1993, 0 226 87384 6
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... clearly tendentious title? Mark Twain, Clifton Fadiman wrote, is ‘our Chaucer, our Homer, our Dante, our Virgil, because Huckleberry Finn is the nearest thing we have to a national epic. Just as the Declaration of Independence ... contains in embryo our whole future history as a nation, so the language of Huckleberry Finn (another Declaration of ...

Giorgio Mio

Nicholas Penny, 16 November 1995

Giorgio Vasari: Art and History 
by Patricia Lee Rubin.
Yale, 449 pp., £35, April 1995, 0 300 04909 9
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... Vasari must have repressed the urge to censor this giant who was, as Rubin points out, compared to Dante by his contemporaries. Florentines were painfully conscious that Dante died in exile and was buried far away in Ravenna. Michelangelo could never in his old age be lured back to Medici Florence, but Cosimo wasted no time ...

How Montale earned his living

Clive James, 17 February 1983

The Second Life of Art: Selected Essays of Eugenio Montale 
translated by Jonathan Galassi.
Ecco, 354 pp., $17.50, October 1982, 0 912946 84 9
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Prime alla Scala 
by Eugenio Montale.
Mondadori (Milan), 522 pp., October 1981
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Eugenio Montale’s Poetry: A Dream in Reason’s Presence 
by Glauco Cambon.
Princeton, 274 pp., £16.80, January 1983, 0 691 06520 9
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... One of the most active of Montale’s previous translators was under the impression that Dante employed the word libello to mean ‘libel’ instead of ‘little book’. A dedicated and knowledgeable student of the tradition from which he emerged, Montale was a stickler for detail, so Mr Galassi’s wide competence comes as a particular ...

Death in Florence

Charles Nicholl, 23 February 2012

... criminality is to be found in them. The fullest reference is in Cristoforo Landino’s edition of Dante, published in 1481. In his discursive introduction to this, Landino has a long passage about the excellence of Florentine artists, in which Castagno is eloquently praised as a ‘lover of the difficulties of art’, and a painter of great vividness and ...

Defeated Armies

Scott Sherman: Castro in the New York Times, 5 July 2007

The Man Who Invented Fidel: Castro, Cuba, and Herbert L. Matthews of the ‘New York Times’ 
by Anthony DePalma.
PublicAffairs, 308 pp., £15.99, September 2006, 1 58648 332 3
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... were entirely with the Italians: he had studied in Rome in 1925, fancied himself a connoisseur of Dante and of Italian civilisation and, by his own admission, paid no attention to the rise of Fascism. Many Times readers rightly detected Fascist sympathies in his copy. In his book about the conflict, Eyewitness in Abyssinia (1937), Matthews directed scorn at ...

Bloody Glamour

Tim Parks: Giuseppe Mazzini, 30 April 2009

Giuseppe Mazzini and the Globalisation of Democratic Nationalism 1830-1920 
edited by C.A. Bayly and Eugenio Biagini.
Oxford, 419 pp., £45, September 2008, 978 0 19 726431 7
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... and seemingly intractable predicament invites a range of responses and role models. From Dante onwards Italy had been described as plagued by factionalism and inertia, dwarfed by the glories of ancient Rome, hampered by a powerful church whose interests were universal rather than national, and thus laid open to every foreign predator. ‘The most ...

How Venice worked

Peter Burke, 6 November 1980

Politics in Renaissance Venice 
by Robert Finlay.
Benn, 336 pp., £13.95, June 1980, 0 510 00085 1
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... study Florence, partly, perhaps, because the Florentines were always changing their constitution (Dante compared the city to an invalid in bed, always changing her position and always uncomfortable), and partly because the sources are richer. In Florence, there was an official record of who said what in important debates; in Venice, there was not. Very ...

Dignity and Impudence

Oliver Whitley, 6 October 1983

A Variety of Lives: A Biography of Sir Hugh Greene 
by Michael Tracey.
Bodley Head, 344 pp., £15, September 1983, 0 370 30026 2
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... the opposite persuasion. The Chairman who won his affection most was an ex-headmaster steeped in Dante. It is a British High Commissioner that he describes to Tracey as ‘one of the greatest men I’ve ever met in my life’. Perhaps this is just part of the unsolved conundrum, the national debate adjourned without a division, in which modes, manners and ...

Diary

Jeremy Harding: With the KLA, 4 February 1999

... as legal tender. We, too, can invoke history to explain our hesitation. Seven hundred years ago, Dante wrote King Milutin of Rascia into the book that lies open on the Day of Judgment. Milutin’s sin, the imperial eagle explains to the poet in the Paradiso, was to forge Venetian ducats (‘il conio di Vinegia’). Today his remote descendant Milan ...

Blackfell’s Scarlatti

August Kleinzahler: Basil Bunting, 21 January 1999

The Poet as Spy: The Life and Wild Times of Basil Bunting 
by Keith Alldritt.
Aurum, 221 pp., £19.95, October 1998, 1 85410 477 2
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... about myself. I feel I have been dead for ten years now, and my ghost doesn’t walk. Dante has nothing to tell me about Hell that I don’t know for myself.’ Bunting’s poem was completed in a year. At least a couple of reliable commentators think the original version of the poem ran to 20,000 lines. In its final form it is about 700. Although ...

Locum, Lacum, Lucum

Anthony Grafton: The Emperor of Things, 13 September 2018

Pietro Bembo and the Intellectual Pleasures of a Renaissance Writer and Art Collector 
by Susan Nalezyty.
Yale, 277 pp., £50, May 2017, 978 0 300 21919 7
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Pietro Bembo on Etna: The Ascent of a Venetian Humanist 
by Gareth Williams.
Oxford, 440 pp., £46.49, August 2017, 978 0 19 027229 6
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... a pure Latin – and, by an extension of the same skills, a pure Tuscan, based on the writings of Dante, Petrarch and Boccaccio – was distinctive. His training as a scholar began early. In June 1491 Angelo Poliziano, a Florentine poet and philologist, visited Venice. There he studied, among many other things, the ancient manuscript of Terence’s plays that ...

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