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“... of Dorian Gray in 1891, was the site where many artists, including Yeats, George Bernard Shaw, Conrad, James and Ford Madox Ford, allowed their doubled selves, and their work full of masked selves, secret agents, secret sharers and sexual secrets, to flourish and further duplicate. Wilde in London was both an Englishman and an Irishman, an aristocrat and ...”

“... find two crones ‘guarding the door of Darkness’, two tricoteuses whom he describes ‘knitting black wool as for a warm pall, one introducing, introducing continuously to the unknown, the other scrutinising the cheery and foolish faces with unconcerned old eyes. Avel Old knitter of black wool,’ he ...”

“... courtyard onto Sykes Street and snuffs the complex air – turpentine, fish-meal, mustard, black lead, the usual grave, morning piss-stink of just-emptied night jars. He snorts once, rubs his bristled head and readjusts his crotch. He sniffs his fingers, then slowly sucks each one in turn, drawing off the last remnants, getting his final money’s ...”

“... experience racing fast cars, and lies dying unnoticed while her chums drink cocktails; and in Black Mischief Basil Seal unwittingly eats his fiancée, Prudence, who has been cooked up into a stew.That last novel bears its modernist credentials most clearly: it is a rewriting of Heart of Darkness, done the second time as farce. Basil is Waugh’s version ...”

“... battles. In all this, what fascinates Enright most is the wealth: Eliza’s clothes, her black carriage, her jewels, her bird collection (including a chained pet vulture), her amazing menus in times of famine, her building of theatres and palaces: And I knew, at that moment, what money was for. It was so you could have things that were ...”

“... I should love you the more because I had mangled you.Sending this (as part of a sequence) to Conrad Aiken, Eliot wrote: ‘Do you think that the Love Song of St Sebastian part is morbid, or forced? ... Does it all seem very laboured and conscious?’ Eliot has already moved into his self-correcting mode: of course the poem was morbid and forced, and he ...”

“... Prey do Beckmesser in an otherwise dreary Meistersinger at the Met. Rather than the neurotic, black-suited Shylock figure regularly trundled out, someone who barks more often than he sings, Prey’s Beckmesser was a pouty, vaguely adolescent, and extremely vulnerable middle-aged man, his insecure learning as a shield for his sexual uncertainties. But the ...”

“... to and convey his culture’s inner voice. Equally rare is the quality of his English prose. Like Conrad, of whom he’s an admirer, Ajami fell under the spell of the English language, and this new book displays his skills as scholar, as stylist and as literary critic. The title comes from the Seven Pillars of Wisdom, the book in which T.E. Lawrence described ...”

“... their way to Germany. Fischer concluded that mixed-race offspring (of Boers or German settlers and black Africans) were inferior to the former but superior to the latter, and decided they were suitable as a kind of non-commissioned officer class in the police, postal service and other arms of the state. As a useful if inferior race, they should be ...”

“... quoted by Sampson, Moore is almost prepared to solve the riddle of why this book and the later Black Robe work in ways his other fictions do not: I’ve felt as a writer that man’s search for a faith ... is a major theme. For one kind of novelist it’s the big and ultimate theme. If you’re an English novelist you write novels of manners, novels of ...”

“... learned to look after himself among sailors in far-flung ports, in the real worlds of which Conrad and Kipling have left grimly romantic records, so that carrying a knife, and readily using it in a scrap, may just have been what all tough sailors do. Even so, we had a problem. The explanation that the twenty-year-old killer had knocked about where life ...”

“... one instance, India in another – the descriptions of which are done by a parodist, a reader of Conrad or Marguerite Duras perhaps, not by a concerned traveller. But for as long as Echenoz remains at home, in Paris or the provinces, place stands out in his novels by its ordinariness, as a rather mucky environment, whether indoors or out, that badly needs ...”

“... luggage remained behind in his Richmond hotel, but surely he left the room wearing his customary black cape, waistcoat and cravat. Not without reason he’d been nicknamed ‘the Raven’ after his poem, published four years earlier, brought him a measure of the fame he craved. The dark-haired, black mustachioed Poe ...”

“... than in bars frequented by poorer persons. A Ugandan literary critic tells me how much he admires Conrad’s Heart of Darkness. ‘I am like Kurz. In another situation, Kurz might have been the great man others thought he could be. But he went up the Congo. When I was a student here, we really thought liberal democratic institutions would work. Now we know ...”

“... the nightriders of the Ku Klux Klan, oil rigs, wars and mass graves. The final panel, painted by Conrad Albrizio in 1954, depicts commerce, science and law freeing Louisiana from its past, with reason and order coming to reign. Below the fresco, Zeitoun was strip-searched and accused by heavily armed soldiers of being a member of al-Qaida and the Taliban. He ...”