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Diary

Jonathan Raban: I’m for Obama, 20 March 2008

... sentence. Five minutes or so in that pulpit kept me high for days. Yet Obama, brought up by his white mother as a secular humanist, was a stranger to black religion until he went to Chicago in 1984, to take up a job as a trainee community organiser. His boss prepped him at his interview in New York: ‘If poor and working-class people want to build real ...

Flight to the Forest

Richard Lloyd Parry: Bruno Manser Vanishes, 24 October 2019

The Last Wild Men of Borneo: A True Story of Death and Treasure 
by Carl Hoffman.
William Morrow, 347 pp., £14.74, March 2019, 978 0 06 243905 5
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... a better life like the other tribes in Sarawak … Stop being arrogant and thinking that it is the white man’s burden to decide the fate of the peoples in this world. As the American journalist Carl Hoffman writes in his dual biography of Manser and the American collector of Dayak art Michael Palmieri, ‘Bruno, in ...

I need money

Christian Lorentzen: Biden Tries Again, 10 September 2020

Yesterday’s Man: The Case against Joe Biden 
by Branko Marcetic.
Verso, 288 pp., £12.99, March 2020, 978 1 83976 028 0
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... in 1988, was a dress rehearsal for the Third Way politics that would send Bill Clinton to the White House four years later. Its failure is usually attributed to Biden’s lifting of passages from a speech by Neil Kinnock about his working-class upbringing, but in fact he was following his mother’s advice when he dropped out. ‘The wounded, limping ...

How bad can it get?

LRB Contributors: On Johnson’s Britain, 15 August 2019

... its total commitment to free trade and institute a system of imperial protection. Britain and its (white) colonies would be organised into a mutually reinforcing and enriching economic bloc, finally capable of standing up to their international competitors (which had long since put up their own tariffs while ruthlessly exploiting Britain’s openness and good ...

I Could Sleep with All of Them

Colm Tóibín: The Mann Family, 6 November 2008

In the Shadow of the Magic Mountain: The Erika and Klaus Mann Story 
by Andrea Weiss.
Chicago, 302 pp., £14.50, May 2008, 978 0 226 88672 5
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... other three – the barely tolerated ones – were Golo, born in 1909, Monika, born in 1910, and Michael, born in 1919. Erika remembered a time during the shortages of the First World War when food had to be divided but there was one fig left over. ‘What did my father do? He gave this fig just to me alone . . . the other three children stared in ...

After George W. Bush, the Deluge

Murray Sayle: Back to the Carboniferous, 21 June 2001

Draft Report of the 17th Session of the Intergovernmental Panel on Climate Change (IPCC), Nairobi, 4-6 April 2001 
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Climate Change 2001: Impacts, Adaptation and Vulnerability 
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The Collapse of the Kyoto Protocol and the Struggle to Slow Global Warming 
by David Victor.
Princeton, 192 pp., £12.95, April 2001, 0 691 08870 5
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Managing the Planet: The Politics of the New Millennium 
by Norman Moss.
Earthscan, 232 pp., £16.99, September 2000, 1 85383 644 3
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... of sulphate aerosols in Greenland ice cores fell in the 1990s. A British scientist, Professor Michael Grubb of Imperial College, London, first suggested that these two unlikely successes might become the models for a worldwide assault on global warming. Guilty gases could be identified, targets and times negotiated for their reduction, and nations coming ...

Seductress Extraordinaire

Terry Castle: The vampiric Mercedes de Acosta, 24 June 2004

‘That Furious Lesbian’: The Story of Mercedes de Acosta 
by Robert Schanke.
Southern Illinois, 210 pp., £16.95, June 2004, 0 8093 2579 9
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Women in Turmoil: Six Plays 
by Mercedes de Acosta, edited by Robert Schanke.
Southern Illinois, 252 pp., £26.95, June 2003, 0 8093 2509 8
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... she favoured black silk cloaks and trousers, tricorn hats, blood-red lipstick and cadaverish white face-powder – Tallulah Bankhead was not the only acquaintance to nickname her ‘Countess Dracula’. Yet such was de Acosta’s sinister allure she managed to bed just about everybody who was anybody in the sapphic world of her time: from Isadora ...

Rabbit Resartus

Edward Pearce, 8 November 1990

Rabbit at Rest 
by John Updike.
Deutsch, 505 pp., £14.99, October 1990, 0 233 98622 7
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... me. Everywhere dog shit dogs must have important freedom to shit everywhere. With a flash of wide white cuff, he taps the page of figures on Harry’s desk. Too much disorder. Too much dog shit. Pay by end of August, no prosecution for criminal activities. But no more Toyota franchise at Singer Motors. Japanese perplexity awakening to contempt dismisses ...
Dance till the stars come down 
by Frances Spalding.
Hodder, 271 pp., £25, May 1991, 0 340 48555 8
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Keith Vaughan 
by Malcolm Yorke.
Constable, 288 pp., £25, October 1990, 0 09 469780 9
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... a little thunderous, but not to the point of Mannerism, nor are his figures as stagey-grotesque as Michael Ayrton’s were. His line and colour are tart – compared with illustrations commissioned for cookery books today, almost brutal – but the world they create is welcoming. Before market research quantified the effectiveness of commercial art, and fine ...

A Life of Henry Reed

Jon Stallworthy, 12 September 1991

... for his own work, and the start of an important – perhaps his most important – friendship. Michael Ramsbotham was also a writer, five years younger than Henry Reed, and from a more privileged background. After Charterhouse, from which he was expelled, he went up to King’s College, Cambridge. At the end of his second year, in June 1940, he was called ...

Diary

Peter Craven: On the Demidenko Affair, 16 November 1995

... the most prominent prize for first novels in Australia; it was described by David Marr, Patrick White’s biographer, as ‘astonishingly talented’, and by Jill Kitson of the ABC as ‘a searingly truthful account of terrible wartime deeds that is also an imaginative work of extraordinary redemptive power’. Assuming, as we all did, that the novel ...
After Hannibal 
by Barry Unsworth.
Hamish Hamilton, 242 pp., £16, September 1996, 0 241 13342 4
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... converting a house for their retirement. The Greens are so entirely married they even look alike: white-haired, spry, with candid blue eyes. They will prove Monti’s pattern only partial, for in their case it’s the dream house that’s going to crumble, not the dream itself, which is the fabric of their relationship. They’re wrestling ineptly with ...

The Light at the Back of a Sequence of Rooms

Peter Campbell: Pieter de Hooch, 29 October 1998

Pieter De Hooch 1629-84 
by Peter Sutton.
Yale, 183 pp., £30, September 1998, 0 300 07757 2
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On Reflection 
by Jonathan Miller.
National Gallery, 224 pp., £25, September 1998, 1 85709 236 8
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... not be allowed to put one off reading it. All the economic reasons for not producing black and white pocket catalogues are obvious, and I own and pore over illustrated art books. But I am also sure that paintings sometimes need to be defended from apparatus which seems to celebrate them, but really confuses the relationship which matters most – that ...

The Case for Geoffrey Hill

Tom Paulin, 4 April 1985

Geoffrey Hill: Essays on his Work 
edited by Peter Robinson.
Open University, 259 pp., £18, March 1985, 0 335 10588 2
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... who speaks of ‘a witness to the truth, not of God, but of our unwillingness for God’: reading Michael Edwards’s statement in multi-racial Britain in 1985, I wonder at its exclusive, ethnically-biased use of ‘our’ and ‘God’. Edwards employs the words in a manner which assumes the existence of a white Christian ...

‘Stravinsky’

Paul Driver, 23 January 1986

Dearest Bubushkin: Selected Letters and Diaries of Vera and Igor Stravinsky 
edited by Robert Craft.
Thames and Hudson, 239 pp., £25, October 1985, 0 500 01368 3
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Stravinsky: Selected Correspondence Vol. III 
edited by Robert Craft.
Faber, 543 pp., £35, October 1985, 0 571 13373 8
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... His sentences are as pungent and as full of character as his music’ etc) and as described by Michael Tanner in the letter pages of this journal as ‘the greatest English prose of our time, I think’ (LRB, 3-16 February 1983), is Craft’s prose. Craft’s essayistic prose is indistinguishable from what is ostensibly Stravinsky’s in his answers to ...

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