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“... In​ scope and ambition David Nirenberg’s Anti-Judaism: The History of a Way of Thinking is reminiscent of Edward Said’s Orientalism. Both offer a strident critique of Western civilisation. For Said, the West’s representation of the Orient is an ideological distortion in the service of Western imperialism. The Oriental is the Other against whom the West defines itself and whom it tries to dominate ...”

“... when you set out to look the present in the eye but can’t quite bear the thought? Much of David Marquand’s powerful essay about ‘Britain, now’ is an elegy for a lost past, unsullied by ‘masterless capitalism’, a sad story of the light growing dim, good running to bad, the public realm hollowed out ...”

“... way she put it.’ Well, it does matter, I think, though I’m not totally sure. One seems to be a category (unfortunately) within the discipline of literature, while the other suggests two equal but different disciplines. Still, I’m at a loss to know what question is asked by either. But then I read the seminar ...”

“... Augustus John. Yet, when she is referred to publicly, her stature as an artist is qualified by the information that she was the lover of one and the sister of the other. She is often described as an artist ‘in her own right’. I hate that term: it implies that ‘her’ position as an artist is established only in relation to her ...”

“... Several authors have died in the course of Britain’s current and by now customary hard winter. V.S. Pritchett writes, nearby, about one of them, and I would like to write about another – the novelist, Barbara Pym. To think of her in relation to a literary world, with its apparatus of publicity and reward, gives a sense of incongruity, but, of course, there’s a tale that hangs on the connection – the story of how this world turned from her in middle age, after her work of the Fifties, which was indeed ‘of the Fifties’ to a degree that was barely understood at the time ...”

“... stage and studio: ‘I photograph my subject against a sheet of white paper about nine feet wide by seven feet long ... I work in the shade because sunshine creates shadows, highlights, accents on a surface that seem to tell you where to look.’ This explains the even, clinical light which bathes the portraits. Nothing is in shadow. The finest details of ...”

“... Loder, the Fifth Form Cad, is being blackmailed by Hogg, the new School Butler: unless Loder gives Hogg £10, Hogg will go to the Head and report Loder for smoking and drinking in the Saloon Bar of the Black Ape; whereupon Loder will be sacked. ‘I don’t care so much for myself,’ sobs Loder to Tom Merry, the Hero of the Shell: ‘It’s my parents; the disgrace will kill them ...”

“... the stages of nature as they have changed through the successive periods of British prehistory. David Stoddart’s conclave of geographers engage in a philosophical exploration of geography itself. It is always a pleasure to find a tribute to the schoolroom. Richard Muir was fortunate to have an inspiring teacher who contrived to overcome ‘the tedious O ...”

“... No such luck, of course, something has to happen even in a slow and glossy movie. He starts off by dealing with a theft in Jerusalem, runs into the titular murder on the Orient Express, and at the end is summoned to a sequel, I mean to Egypt for a job that sounds as if it might involve a death on the Nile. Hercule Poirot has been escaping from print into ...”

“... sure she won a scholarship to extend her studies, chiefly – it seems – so that she wouldn’t be forced to go back home. In 1926 she wrote to a friend from her parents’ house: ‘Here I am plunged in the middle of Benares brass life, and Japanese screens … I am too depressed by the hideousness … and the ...”

“... gets into the family car and drives off. The next shot shows her sitting on a beach, illuminated by the car’s headlights, her shoeless feet digging into the sand. She calls her father on her cellphone, crying, says she loves him and her mother no matter what happens. In the next shot she is dead, her leg broken upwards at an impossible angle, the heel of ...”

“... safely (if painfully and disastrously) in the mind. No director realises this more clearly than David Cronenberg. He is best known no doubt for The Fly (1986), Dead Ringers (1988) and his much vilified Crash (1996), but some of us have a soft spot, if that’s the term, for his early work The Brood (1979), a classic instance of the acting-out theory. A ...”

“... me, the 2003 online version of the Grauniad with its central column of boxed pictures will always be the true Guardian website. The Guardian received many of my ‘liars’: it initially supported the war.I was reminded of how I felt in those days during the opening scene of Official Secrets, which stars Keira Knightley. (I took a perverse liking to her when ...”

“... of its title sit a little heavily on I’m Thinking of Ending Things, originally a novel by Iain Reid, which Charlie Kaufman has now adapted as a movie (on Netflix). Out of context, I’m Thinking of Ending Things strongly suggests the possibility of suicide. In context too, as it happens. However, in both Reid and Kaufman’s versions it also evokes ...”

“... taking in his native Isle of Man and become a professional photographer. His head had been turned by Cartier-Bresson’s 1954 image of a small boy hefting two large wine bottles, which he spotted in the pages of Paris Match. For a while, Killip pursued a career on strict 1960s Bailey-Blowup lines: he moved to London as assistant to Justin de ...”