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“... myself seriously as a student. In fact, it seemed to make it somewhat easier for me to write.’ Richard Klein, now the celebrated author of Cigarettes Are Sublime, was one of the guys. Approached by Duke for a quote, he wrote: ‘For decades I have felt guilt and shame for having performed toward her in a way that was unprofessional, exploitative, and lousy ...”

“... of course, there is no intrinsic incompatibility between novel-writing and history-writing. Walter Scott was an admirable historian – here indeed lay most of his strength. A case can be made, too, for saying that Flaubert, in L’Education sentimentale, was a better historical thinker – showed a more advanced grasp of historical causation – than Michelet ...”

“... acting deliberately against the interests and wishes of his British imperial superiors, even – Scott Anderson suggests – to the point of treason. (When George V tried to decorate him after the war, he handed all the medals back on the spot.) He was also very much against European cultural imperialism, genuinely – so far as we can tell – preferring ...”

“... the river as the Globe. As narrative, this set-piece bears comparison with the best bits of Walter Scott and, as scholarship, persuasively demolishes the often retold fantasy version of the event, according to which the older playhouse is miraculously disassembled, carried to Southwark across London Bridge (or even, more romantically, on sleds across the ...”

“... Richard Yates faced some formidable obstacles: a broken home, tuberculosis, rampant alcoholism, divorce (twice), lack of recognition and manic depression – a combination that sent him, as he put it, ‘in and out of bughouses’. Even his triumphs seemed only to cause further distress. Though his first novel, Revolutionary Road (1961), was a critical success, sales were wretched, and he spent most of his working life in its shadow ...”

“... they have more money.’ Though it is Hemingway’s riposte that sticks in the memory, Scott Fitzgerald’s belief in the difference of the rich has one thing to be said for it: it makes far more sense of the history of the novel. The rich and their doings are clearly over-represented in the house of fiction, and access to wealth almost invariably ...”

“... hype before slitting their throats. ‘There are no second acts in American lives,’ said F. Scott Fitzgerald, archetype of the American artist betrayed by the Judas kiss of fame, his early work overpraised, he himself declared a has-been just as he was achieving mastery. No one understood the process better than the author of The Great Gatsby, certainly ...”

“... satisfactory subject. Callard’s previous book, Pretty Good for a Woman: The Enigma of Evelyn Scott, charted the life of a little-known American writer and radical, friend to Emma Goldman and Jean Rhys. Scott is less well-known than Kavan but Callard managed to produce a much longer and less sketchy account of her ...”

“... lectures, was blackballed from the 1924 expedition, while one member of the committee vetoed Richard Graham because he had been a conscientious objector. Mallory, to his credit, condoned neither decision, but once again the party was deprived of three of the finest climbers available, with Frank Smythe also being left off the list. Finch had not only ...”

“... Scott Atran packs a lot into his subtitles. ‘Evolutionary Landscape’: that’s the new idea in this book about gods. The human mind has evolved with numerous capacities. Each distinct capacity is well adapted to performing a group of tasks in its domain. Individuals possess these capacities in varying degrees, but they are part of the universal genetic inheritance of the human race ...”

“... Once certain authors acquired ‘classic’ status, they were not easily displaced. Defoe, Swift, Scott, Dickens, Hardy figure in almost every story of a life transformed by reading, along with the major poets (Milton, Wordsworth, Tennyson), dramatists (none matched Shakespeare and Shaw in popularity), discursive prose writers (Carlyle and Ruskin are the ...”

“... at Harvard, in Paris, and with various firms, he opened his own office in 1962. Influenced by Richard Neutra, the Austrian emigré who also practised locally, Gehry gradually turned a Modernist idiom into a funky LA vernacular. He did so primarily in domestic architecture through an innovative use of cheap materials associated with commercial building ...”

“... efforts to reinvent a British tradition of patriotic, elite paternalism were heavily influenced by Richard Wilkinson and Kate Pickett’s book The Spirit Level, with its strange subtitle, ‘Why Equality Is Better for Everyone’. Its underlying assumption was that inequality could only be tackled by an appeal to the rationality and self-interest of those ...”

“... vengefulness, the compulsive penis envy, and the desire to be whipped, of Captain Ahab. Only Richard Henry Dana in Two Years Before the Mast and, in The Oregon Trail, Francis Parkman, whose homosexual proclivities deserve more attention here, come forward as relatively standard cases of the urge to ‘be a man’. Leave it to the genteel types ...”

“... fleece scourer around a blue and white striped cup, she quit. The resolute non-quitter is Alexis Scott, a chanteuse whose song is ending as she appears in this first paragraph of Patrice Chaplin’s Saraband, a spicy tale of lust and cuisine in London NW1. The book begins splendidly, and it has to be said that any red-blooded gossip must want to know more ...”