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“... the new regime, and in September 1486 she attended the christening of Arthur, the first Tudor prince. There are only glimpses of her in these years: ‘my lady Margaret of Clarence’. When she reached her teens, a marriage was arranged with Richard Pole, a modest landowner with solid Tudor connections, who had been rewarded for loyalty by being made ...”

“... origins of Spem in alium are even more romantic. McCarthy goes cautiously:The investiture of the Prince of Wales involved both a formal state ceremony in Parliament and a religious service in chapel, but the ‘song of forty parts’ was not sung during either of those events. It was sung at the investiture banquet. By this point in English history, the most ...”

“... of Oxbridge voices reviewing an exhibition selected by and posthumously mounted as a tribute to Peter Fuller. The wannabe Oxbridge voice of Giles Auty, art bumbler for the Spectator, declares ‘Peter’ was led by his arguments rather than his eyes. Up speaks real Oxbridge voice, while duly patronising to Auty – not ...”

“... make a dawn escape. This was not romantic. At Florence they met the Countess of Albany, widow of Prince Charles Edward, and Count Alfieri, ‘the Shakespeare of Italy’. In Naples they were welcomed in the highest circles and Katherine found much material for her mocking pen: the royal family ‘cramming like dragons’, the ...”

“... As we wait​ with bated breath for Prince Harry’s memoirs, we might take a moment to consider the royal adverbs. In the days of Lilibet I, the favourites were, in no particular order, ‘jollily’, ‘spiffingly’, ‘thrillingly’ and ‘boringly’. It’s not yet clear how involved Lilibet II will be in palace matters but, under the influence of her mother and her yoga instructor, the preferred adverbs are likely to be ‘honestly’, ‘amazingly’, ‘insanely’ and ‘unbelievably ...”

“... with a short biography, in the recently reissued In ‘Vanity Fair’, by Roy Matthews and Peter Mellini).* When she was 20 she was painted by G.F. Watts, who was besotted with her and called her his Bambina. At the height of her notoriety she was caricatured in Punch and elsewhere. In her last days she had a deathbed photograph taken of herself, all ...”

“... art thou That counterfeits the person of a king?’ ‘The King himself.’ To this extent, Prince Hal’s profligacy can be read as the son throwing the father’s imposture back in his face. The Donmar production wasn’t ‘giving the lie’ to the idea that this is a masculine play, as one reviewer suggested, or shifting the emphasis to the ...”

“... Queensland in the early 1970s was, according to the narrator of Peter Carey’s new novel, ‘a police state run by men who never finished high school’. This intriguing throwaway remark turns out to be not much of an exaggeration. For twenty years from 1968, Queensland was controlled by the corrupt, gerrymandering state governor Joh Bjelke-Petersen, variously described as the Hillbilly Dictator, a ‘bible-bashing bastard’ and – by himself – as ‘a bushfire raging out of control ...”

“... You have only to glance at the icing-sugar pink dust-jacket of The Prince buys the Manor to realise that there is a factual basis for Elspeth Huxley’s ‘extravaganza’. There, nestling in the wooded Cotswolds, is the familiar facade of the rather ordinary country house which has recently been dignified by the arrival of A Royal Personage ...”

“... the growing use of princely clemency personalised the issue, underlining the power of the prince over matters of life and death. By the 1840s, executions were taking place much less frequently in Germany (at a rate about one sixtieth of that in England and Wales) and the future of the death penalty appeared to be in question. Even many who defended it ...”

“... and Kay, Barroll and de Grazia and Razzell all made me think again about a life I thought I knew. Peter Razzell’s is the slightest of these three books, but it makes two important contributions to any reading of William Shakespeare’s life in Stratford. First, it places the career of William’s father John in the larger contexts of Stratford’s economic ...”

“... Comforts of Madness is an extended imaginary exposure to what the wretches under his care feel. Peter is a long-term catatonic patient, and the novel takes the form of his interior monologue. Seemingly impervious to the outside world, Peter watches everything around him keenly. It is his choice to switch off – like ...”

“... that source: deflected by Auden’s idiom towards psychological theorising, he allows the poem to peter out with talk of how ‘the lonely and unpopular’ can rediscover at the museum ‘the landscapes of their childhood’; the attraction of the Pitt-Rivers is reduced to nostalgia for dusty childhood boxrooms. When he attempts a similar accumulation of ...”

“... him, isn’t he?’ my granny would say. ‘Always had a dark side. Probably got it from his uncle Peter. He was like that as well. Morbid.’ ‘You’re just trying to draw attention to yourself,’ my father would say. ‘If something ever happens to you, I suppose you’ll want one of them statues to yourself up in the Glasgow Necropolis.’ ‘Yes,’ I ...”

“... smart to take proper note of his elders and betters. Commending a recent Prom performance of the Peter Grimes Sea Interludes, a Guardian music critic remarked that the ‘Moonlight’ interlude formed a link with Elgar, whose First Symphony was also played at the concert. At the same time he regretted that the Grimes Passacaglia wasn’t included. Earlier ...”