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“... for his group portrait in the sacristy of El Escorial, La Sagrada Forma, which shows the King kneeling before the miraculous host of Gorkum, which had shed blood when profaned by the Protestants in 1572. Soria dismissed Coello as someone who had done no more than ‘pave the way for the superficial, playful Rococo’, but Brown calls La Sagrada Forma ...”

“... 30 January 1540 the monks of Evesham Abbey were singing the Magnificat when messengers from the king interrupted them. ‘The monastery of Evesham was suppressed by King Henry VIII … at evensong time,’ John of Alcester recorded, ‘the convent being in the choir at this verse Deposuit potentes, and would not suffer ...”

“... mort’ – stumble. Philippe de Champaigne’s altarpiece, Le Voeu de Louis XIII, which puts King, Christ, Mary and attendant putti in the same frame is too much like window-dressing; the moment for saint and donor pictures was past. Lesser works fail because they seem sentimental, improbable or frivolous. Some things, despite my best efforts, I find ...”

“... swan’s down, a pinch of panegyric and a soupçon of sedition. Leave to ferment in the blood of a king. That would produce most of the verse of this period, in which conventional elements are graciously reassembled in posies for readers to sniff and to pluck. Consider this delicious morsel of anonymity, ‘On a Lady Sleeping’, plucked by ...”

“... in Glenkiln. The sculpture by Moore which is most eloquent in this context is the bronze seated King and Queen of 1952-3. McEwen quotes Moore saying that the subject owed something to the bedtime stories he read to his daughter. Their majesties look like survivors of a distant age, an effect enhanced by the fact that they recall the lean, tense warriors of ...”

“... like a charity case, or a Wanted poster. Dead or alive. ‘Vote Michael Moorcock’, it said. ‘King of the City’. King of the City, a hefty London novel, character-packed, busy with competing narratives (confessing, denouncing, celebrating, plea-bargaining for its own sanity), was being punted by its publicists as ...”

“... is what it costs these days to make England look like England. The show was created and written by Peter Morgan, its majesty and its wit are his – it would take an American ‘writers’ room’ of a dozen to do wrong what he does right – and a slew of British directing talent led by Stephen Daldry has brought it to the small screen. The British settings ...”

“... Many choose oriental settings, even oriental heroes (the papyri preserve fragments of Ninus King of Assyria and Sesonchosis King of Egypt). No doubt other tributaries joined the main stream: erotic conceit, from the love elegy; moral tone, and the dominance of Destiny, from popular philosophy; here and ...”

“... of ‘cutting snow’, even in June. This is a land of ‘fear and shock’ where the buzzard is king: He soars and he hovers, rocking on his wings, He scans his wide parish with a sharp eye, He catches the trembling of small hidden things, He tears them to pieces, dropping them from the sky.Yet ‘this is my country,’ the last stanza begins, ‘beloved by ...”

“... provinces, each under a satrap (a ‘protector of the kingdom’) directly answerable to the Great King in Susa, and connected by a road system that was the envy of all. Under Croesus and Cyrus the Ionians, on the western maritime fringe of the empire, enjoyed a very easy-going relationship with their Lydian and Persian overlords. As long as they paid their ...”

“... no stable, no animals. ‘Now when Jesus was born in Bethlehem of Judaea in the days of Herod the king, behold, there came wise men from the east to Jerusalem,/ Saying, Where is he that is born King of the Jews?’ In Pasolini we see more faces: all looking as Italian as Charlton Heston, say, playing Moses, looks ...”

“... 4 January. A Christmas letter from Cami Elbow, wife of Peter Elbow, an American college friend who teaches English at Amherst: Life in Amherst is very placid. Even grammatically correct. In December the town decided to encourage shoppers to patronise the downtown stores with free parking. They ordered plastic bags to cover up the parking meters but the bags arrived with the message wrongly punctuated: ‘Season’s Greeting’s ...”

“... but he does not bang on about it. He is telling a story; his mode, to borrow a phrase from Peter Burke, is thick narrative. First he sets up his characters: Abelard himself; his enemy Bernard of Clairvaux, saint and, on Clanchy’s showing, insufferable rhetorician; his lover, short-lived wife and long-lived correspondent Heloise, niece or daughter and ...”

“... K’ang-Hsi, a contemporary of Louis XIV (although by K’ang-Hsi’s imperial standards the Sun King was a mere barbarian princeling). The book is not a biography but a portrait, indeed a kind of self-portrait, an attempt to explore K’ang-Hsi’s mind by making a kind of jigsaw or mosaic of the Emperor’s personal opinions, which are to be found ...”

“... raised to dignity and wealth by Mazel’s gift of good luck, manages to milk a lioness to cure the King; when bad luck has his turn, he spoils his good fortune by saying it is dog’s milk. His fortunes are ruined, for a while, anyway. Again the drawings – in this case brush-drawings by Margot Zemach, rather in the manner of Ben Shahn – are not strictly ...”